{"id":5941,"date":"2019-01-08T15:24:40","date_gmt":"2019-01-08T14:24:40","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=5941"},"modified":"2021-02-04T17:42:24","modified_gmt":"2021-02-04T16:42:24","slug":"la-cigogne-du-general-de-heba-y-amin","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/fr\/evenements-en-presence\/the-generals-stork-la-cigigne-du-general-de-heba-y-amin\/","title":{"rendered":"<i>The General\u2019s Stork<\/i> de Heba Y. AMIN"},"content":{"rendered":"<p><em>The General&#8217;s Stork <\/em>fait converger des r\u00e9cits historiques, des proph\u00e9ties bibliques, des r\u00e9cits coloniaux et des rapports de surveillance afin d\u2019enqu\u00eater sur les conditions contemporaines d\u2019une parano\u00efa d\u2019\u00c9tat ayant transform\u00e9 un oiseau migrateur en un espion international.<\/p>\n<p><em><strong>Heba Y. Amin\u00a0<\/strong>(1980, Caire) est une artiste plasticienne, chercheuse et conf\u00e9renci\u00e8re bas\u00e9e \u00e0 Berlin. Elle est cofondatrice du Black Athena Collective, r\u00e9dactrice en charge des arts visuels pour le journal MIZNA (\u00c9tats-Unis) et l&#8217;une des artistes \u00e0 l&#8217;origine de l&#8217;action subversive du graffiti sur le plateau de la s\u00e9rie t\u00e9l\u00e9vis\u00e9e <\/em>Homeland<em>, qui a attir\u00e9 l&#8217;attention des m\u00e9dias du monde entier (d\u00e9non\u00e7ant, en arabe, le racisme de la s\u00e9rie). Heba Y. Amin a r\u00e9cemment expos\u00e9 \u00e0 la 10\u00e8me Biennale de Berlin, \u00e0 la 15\u00e8me Biennale d&#8217;Istanbul, au K\u00fcnstlerhaus Bethanien Berlin, au Kalmar Art Museum en Su\u00e8de et \u00e0 La Villette (Paris), entre autres.<\/em><\/p>\n<p><em><strong>Langue : anglais<\/strong><\/em><\/p>\n<p><strong>Dur\u00e9e 1:00<br \/>\n<\/strong><strong>La conf\u00e9rence sera suivie d&#8217;un drink<\/strong><\/p>\n<p><strong>Places limit\u00e9es.\u00a0R\u00e9servation en ligne obligatoire.<br \/>\nGratuit\u00a0pour les \u00e9tudiants, les -26 ans, les membres SMART et les demandeurs d\u2019emploi.<\/strong><\/p>\n<p class=\"p1\"><b><i>En partenariat avec <\/i><\/b><span class=\"s1\"><b><i>le<\/i><\/b><\/span><a href=\"https:\/\/www.goethe.de\/ins\/be\/fr\/kul\/prj\/per.html\" target=\"_blank\" rel=\"noopener noreferrer\"><b><i> Goethe Institute, programme <\/i>Perruche<\/b><\/a><\/p>\n<p><img decoding=\"async\" class=\"wp-image-4961 alignleft\" src=\"https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2018\/10\/GI_Logo_vertical_black_sRGB.jpg\" alt=\"\" width=\"62\" height=\"100\" \/><\/p>\n<p><img decoding=\"async\" class=\"wp-image-4956 alignleft\" src=\"https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2018\/10\/perruche-logoFINAL2.jpg\" alt=\"\" width=\"153\" height=\"65\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>The General&#8217;s Stork fait converger des r\u00e9cits historiques, des proph\u00e9ties bibliques, des r\u00e9cits coloniaux et des rapports de surveillance afin d\u2019enqu\u00eater sur les conditions contemporaines d\u2019une parano\u00efa d\u2019\u00c9tat ayant transform\u00e9 un oiseau migrateur en un espion international. Heba Y. Amin\u00a0(1980, Caire) est une artiste plasticienne, chercheuse et conf\u00e9renci\u00e8re bas\u00e9e \u00e0 Berlin. Elle est cofondatrice du [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6591,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[226,117],"tags":[202],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts\/5941"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/comments?post=5941"}],"version-history":[{"count":30,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts\/5941\/revisions"}],"predecessor-version":[{"id":14209,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts\/5941\/revisions\/14209"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/media\/6591"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/media?parent=5941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/categories?post=5941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/tags?post=5941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}