{"id":5061,"date":"2018-10-24T11:33:52","date_gmt":"2018-10-24T09:33:52","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=5061"},"modified":"2021-02-04T17:56:51","modified_gmt":"2021-02-04T16:56:51","slug":"katia-kamelile-roman-algerien","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/fr\/evenements-en-presence\/katia-kameli-le-roman-algerien\/","title":{"rendered":"Katia KAMELI<\/br> <i>Le Roman Alg\u00e9rien<\/i>"},"content":{"rendered":"<p><em>Projection (dur\u00e9e : 50 minutes) suivie d\u2019une discussion entre l\u2019artiste et\u00a0Cl\u00e9ment Diri\u00e9, critique d\u2019art.<\/em><\/p>\n<p><em>Le Roman Alg\u00e9rien<\/em>\u00a0est un film pens\u00e9 en trois chapitres qui nous \u00e9claire de fa\u00e7on sensible sur les relations complexes d\u2019une nation \u00e0 son histoire et le r\u00f4le des images dans la construction de son roman national et de ses arch\u00e9types.<br \/>\nLe travail de\u00a0<a href=\"http:\/\/katiakameli.com\/\"><strong>Katia Kamel<\/strong>i<\/a>\u00a0se d\u00e9ploie \u00e0 travers diff\u00e9rents m\u00e9diums comme la photographie, le film ou l\u2019installation. Sa d\u00e9marche artistique s\u2019inscrit dans le champ de l\u2019histoire ; des sciences humaines et sociales. Ses oeuvres ont \u00e9t\u00e9 montr\u00e9es dans des expositions personnelles au CCA Glasgow (2017), \u00e0 The Mosaic Rooms, London (2016) ; Taymour Grahne Gallery, New York (2014). Elle a \u00e9galement particip\u00e9 \u00e0 de nombreuses expositions collectives : Biennale de Dakar (2018), Biennale f\u00fcr aktuelle fotografie, Mannheim (2017) ; Centre Pompidou, Paris (2016) ; Mucem, Marseille (2016) ; Havre Magasinet, Su\u00e8de (2015) ; Biennale de Marrakech (2012) etc.<\/p>\n<p><i>En partenariat avec le\u00a0<\/i><i><a href=\"https:\/\/www.crp.photo\/\">Centre R\u00e9gional de la Photographie<\/a>\u00a0des Hauts-de-France o\u00f9 u<\/i><i>ne exposition personnelle de\u00a0Katia Kameli\u00a0a lieu actuellement et jusqu\u2019au 25 novembre 2018.\u00a0<\/i><\/p>\n<p><strong>Cl\u00e9ment Diri\u00e9\u00a0<\/strong>est historien, commissaire d\u2019exposition, critique d\u2019art et directeur \u00e9ditorial des \u00e9ditions JRP|Ringier.<\/p>\n<p class=\"p1\"><em><strong>Langue : fran\u00e7ais<\/strong><\/em><\/p>\n<p><img decoding=\"async\" class=\" wp-image-5634 alignleft\" src=\"https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2018\/10\/Capture-d\u2019\u00e9cran-2018-11-13-\u00e0-11.57.17-150x92.png\" alt=\"\" width=\"103\" height=\"59\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Projection (dur\u00e9e : 50 minutes) suivie d\u2019une discussion entre l\u2019artiste et\u00a0Cl\u00e9ment Diri\u00e9, critique d\u2019art. Le Roman Alg\u00e9rien\u00a0est un film pens\u00e9 en trois chapitres qui nous \u00e9claire de fa\u00e7on sensible sur les relations complexes d\u2019une nation \u00e0 son histoire et le r\u00f4le des images dans la construction de son roman national et de ses arch\u00e9types. Le [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5357,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[226,42],"tags":[202],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts\/5061"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/comments?post=5061"}],"version-history":[{"count":46,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts\/5061\/revisions"}],"predecessor-version":[{"id":14220,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts\/5061\/revisions\/14220"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/media\/5357"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/media?parent=5061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/categories?post=5061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/tags?post=5061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}