{"id":23024,"date":"2023-10-12T11:23:49","date_gmt":"2023-10-12T09:23:49","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=23024"},"modified":"2024-02-01T10:40:19","modified_gmt":"2024-02-01T09:40:19","slug":"yann-chateigne-tytelman","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/fr\/curateur-invite\/yann-chateigne-tytelman\/","title":{"rendered":"Yann Chateign\u00e9 Tytelman"},"content":{"rendered":"<p><a href=\"https:\/\/www.yct.solar\" target=\"_blank\" rel=\"noopener\"><strong>Yann Chateign\u00e9 Tytelman<\/strong><\/a>\u00a0est auteur et curateur ; il vit \u00e0 Bruxelles. Il a \u00e9t\u00e9 conseiller artistique et chercheur en r\u00e9sidence \u00e0 <a href=\"https:\/\/morphovzw.be\/en\/residenten\/yann-chateigne-tytelman\" target=\"_blank\" rel=\"noopener\">MORPHO<\/a>, Anvers ; curateur \u00e0 Kanal \u2013 Centre Pompidou, Bruxelles (2019\u20132021) ; responsable du D\u00e9partement Arts Visuels de la HEAD \u2013 Gen\u00e8ve (2009\u20132017) et de la programmation au CAPC Mus\u00e9e d\u2019art contemporain de Bordeaux (2007\u20132009). Il a r\u00e9cemment (co-)organis\u00e9 les expositions et projets<a href=\"https:\/\/www.mjb-jmb.org\/four-sisters\/\" target=\"_blank\" rel=\"noopener\"> &#8220;Four Sisters&#8221; <\/a>(Mus\u00e9e Juif de Belgique, Bruxelles, 2023), <a href=\"https:\/\/www.aglitteringruin.com\/\" target=\"_blank\" rel=\"noopener\">&#8220;A Glittering Ruin Sucked Upwards&#8221;<\/a> (HISK, Bruxelles, 2022), <a title=\"https:\/\/flash---art.com\/2022\/03\/country-salts\/\" href=\"https:\/\/flash---art.com\/2022\/03\/country-salts\/\" target=\"_blank\" rel=\"noopener\">&#8220;How to be Organic?&#8221;<\/a> (Country SALTS, Bennwil, 2022),<a href=\"https:\/\/kanal.brussels\/fr\/actualites\/it-never-ends-john-m-armleder-guests-2\" target=\"_blank\" rel=\"noopener\"> &#8220;It Never Ends&#8221; <\/a>(Kanal, Bruxelles, 2020\u20132021) et <a href=\"https:\/\/www.cca.qc.ca\/en\/events\/66001\/material-thinking-gordon-matta-clark-selected-by-yann-chateigne\" target=\"_blank\" rel=\"noopener\">&#8220;Gordon Matta-Clark: Material Thinking&#8221;<\/a> (Centre Canadien d\u2019Architecture, Montr\u00e9al et Museum der Moderne, Salzburg, 2019\u20132021). En tant qu&#8217;auteur, il\u00a0a entre autres contribu\u00e9 \u00e0 Conceptual Fine Arts, Mousse et Spike, et a co\u00e9dit\u00e9<a href=\"https:\/\/artfiction.ch\/produit\/almanach-ecart-une-archive-collective-1969-2019-nouvelle-edition\"> &#8220;Almanach<\/a><a href=\"https:\/\/artfiction.ch\/produit\/almanach-ecart-une-archive-collective-1969-2019-nouvelle-edition\" target=\"_blank\" rel=\"noopener\"> Ecart. Une archive collective, 1969\u20132019&#8243;<\/a>(HEAD \u2013 Gen\u00e8ve\/art&amp;fiction, 2019). Il vient de publier &#8220;Blackout&#8221;, un ouvrage r\u00e9alis\u00e9 \u00e0 l&#8217;invitation du Centre d&#8217;\u00c9dition Contemporaine de Gen\u00e8ve (2023) et disponible aux <a href=\"https:\/\/www.lespressesdureel.com\/ouvrage.php?id=10639\" target=\"_blank\" rel=\"noopener\">Presses du r\u00e9el<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Yann Chateign\u00e9 Tytelman\u00a0est auteur et curateur ; il vit \u00e0 Bruxelles. Il a \u00e9t\u00e9 conseiller artistique et chercheur en r\u00e9sidence \u00e0 MORPHO, Anvers ; curateur \u00e0 Kanal \u2013 Centre Pompidou, Bruxelles (2019\u20132021) ; responsable du D\u00e9partement Arts Visuels de la HEAD \u2013 Gen\u00e8ve (2009\u20132017) et de la programmation au CAPC Mus\u00e9e d\u2019art contemporain de Bordeaux [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":23781,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[236],"tags":[],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts\/23024"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/comments?post=23024"}],"version-history":[{"count":4,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts\/23024\/revisions"}],"predecessor-version":[{"id":23783,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts\/23024\/revisions\/23783"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/media\/23781"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/media?parent=23024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/categories?post=23024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/tags?post=23024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}