{"id":11722,"date":"2020-09-16T17:14:39","date_gmt":"2020-09-16T15:14:39","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=11722"},"modified":"2021-02-04T16:45:21","modified_gmt":"2021-02-04T15:45:21","slug":"lancement-de-private-architecture-oui-oui-non-non-valerie-mannaerts","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/fr\/evenements-en-presence\/private-architecture-oui-oui-non-non\/","title":{"rendered":"Les Editions Thalie pr\u00e9sentent &#8220;Private Architecture (oui oui non non)&#8221; de Val\u00e9rie Mannaerts"},"content":{"rendered":"<p>Les <strong><a href=\"https:\/\/leseditionsthalie.com\/fr\/?v=d3dcf429c679#.X19iJS1PjOQ\" target=\"_blank\" rel=\"noopener noreferrer\">Editions Thalie<\/a><\/strong> ont le plaisir de pr\u00e9senter leur dernier multiple d&#8217;artiste,\u00a0<strong><em>Private Architecture (oui oui, non non)<\/em><\/strong>, une parure de <strong>Val\u00e9rie Mannaerts<\/strong>.<\/p>\n<p>Cr\u00e9\u00e9es par <strong>Nathalie Guiot<\/strong>, les Editions Thalie soutiennent la cr\u00e9ation de bijoux d&#8217;artistes en \u00e9dition limit\u00e9e depuis plusieurs ann\u00e9es.\u00a0Sculptrice autant que peintre, l\u2019artiste belge <strong>Val\u00e9rie Mannaerts\u00a0<\/strong>a imagin\u00e9 pour cette saison 2020\u00a0<em>Private Architecture (oui oui non non)<\/em>, une parure inspir\u00e9e du bijou pectoral pr\u00e9colombien dans la d\u00e9coupe \u00e0 la feuille.\u00a0Un bijou singulier li\u00e9 \u00e0 l\u2019univers plastique\u00a0de l\u2019artiste\u00a0: l\u2019ornement et le fantasque.\u00a0<em>Private Architecture (oui oui, non non),<\/em>\u00a0se d\u00e9ploie comme un \u00e9ventail. Tel un talisman, il r\u00e9v\u00e8le et prot\u00e8ge avec ses amulettes en c\u00e9ramique repr\u00e9sentant de petits fant\u00f4mes ou des cuill\u00e8res comme des\u00a0<em>good lucks\u00a0charms.<\/em><br \/>\nUn bijou joyeux et myst\u00e9rieux\u00a0!<\/p>\n<p>N\u00e9e en 1974 \u00e0 Bruxelles, <strong>Val\u00e9rie Mannaerts<\/strong> a \u00e9t\u00e9 artiste en r\u00e9sidence \u00e0 l&#8217;ISCP New York (2008) et \u00e0 la De Rijksakademie Amsterdam (2007).\u00a0<strong>Val\u00e9rie Mannaerts<\/strong> a particip\u00e9 \u00e0 de nombreuses\u00a0expositions, notamment\u00a0<em>Huis Clos, Biennale de la peinture<\/em>, <strong>Mus\u00e9e Roger Raveel<\/strong>, Zulte (2020), <em>Convex\/Concave: Belgian Contemporary Art<\/em>, <strong>TANK<\/strong>, Shanghai (2019),\u00a0<em>What is Ornament?<\/em>,\u00a0<strong>Triennale d&#8217;Architecture<\/strong>, Lisbonne (2019), <em>Curtain Call<\/em>, <strong>IFFR Kunsthalle Rotterdam<\/strong> (2018), <em>Real Somethings<\/em>, <strong>Bernier\/Eliades Galerie<\/strong>, Bruxelles (2017), <em>Solid Liquids<\/em>, <strong>Kunsthalle M\u00fcnster<\/strong> (2016); <em>Everything Architecture<\/em>, <strong>Bozar<\/strong>, Bruxelles; <em>Words aren\u2019t the Thing<\/em>, <strong>CAC<\/strong>, Vilnius (2015); <em>Small Museum for the American Metaphor<\/em>,<strong> RedCat Gallery<\/strong>, Los Angeles (2014); <em>Orlando<\/em>, <strong>Bozar<\/strong>, Bruxelles (2013).<\/p>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>En 2016, Val\u00e9rie Mannaerts est invit\u00e9e par <strong>BOZAR<\/strong> \u00e0 concevoir l\u2019installation permanente <em>Pleasure in Making<\/em>, un rideau brod\u00e9 \u00e0 trois mains, aujourd\u2019hui expos\u00e9e au Palais des Beaux- Arts de Bruxelles (Victor Bozar Caf\u00e9).\u00a0Val\u00e9rie Mannaerts est repr\u00e9sent\u00e9e par la <strong><a href=\"https:\/\/bernier-eliades.com\" target=\"_blank\" rel=\"noopener noreferrer\">Galerie Bernier\/Eliades<\/a><\/strong>, Bruxelles &amp; Ath\u00e8nes.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>T\u00e9l\u00e9charger notre communiqu\u00e9 de presse : <strong><a href=\"https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2020\/10\/CP_Val\u00e9rieMannaerts_FR-2.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">ici<\/a><\/strong><\/p>\n<p>__<\/p>\n<p><strong><em>Private Architecture (oui oui, non non)<br \/>\n<\/em><\/strong>Parure de Val\u00e9rie Mannaerts<br \/>\nLaiton plaqu\u00e9 or<br \/>\nParure r\u00e9alis\u00e9e enti\u00e8rement \u00e0 la main<br \/>\nMots grav\u00e9s et pampilles en c\u00e9ramique<br \/>\nEdition limit\u00e9e \u00e0\u00a010 exemplaires + 2 E.A<br \/>\nPrix\u00a0: 4 500 euros<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Informations pratiques :\u00a0<\/strong><br \/>\nLa parure<em>\u00a0Private Architecture<\/em>\u00a0<em>(oui oui non non)<\/em> est en vente sur notre <strong><a href=\"https:\/\/leseditionsthalie.com\/fr\/?v=d3dcf429c679#.X1dmYi1PjOQ\">site<\/a><\/strong> et dans la boutique de la Fondation<br \/>\nDu mercredi au dimanche, de 14h \u00e0 18h<br \/>\nFondation Thalie &#8211; 15 rue Buchholtz 1050<br \/>\nT\u00a0+32 244 60 343<\/p>","protected":false},"excerpt":{"rendered":"<p>Les Editions Thalie ont le plaisir de pr\u00e9senter leur dernier multiple d&#8217;artiste,\u00a0Private Architecture (oui oui, non non), une parure de Val\u00e9rie Mannaerts. Cr\u00e9\u00e9es par Nathalie Guiot, les Editions Thalie soutiennent la cr\u00e9ation de bijoux d&#8217;artistes en \u00e9dition limit\u00e9e depuis plusieurs ann\u00e9es.\u00a0Sculptrice autant que peintre, l\u2019artiste belge Val\u00e9rie Mannaerts\u00a0a imagin\u00e9 pour cette saison 2020\u00a0Private Architecture (oui [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":11711,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[226,215],"tags":[202],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts\/11722"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/comments?post=11722"}],"version-history":[{"count":52,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts\/11722\/revisions"}],"predecessor-version":[{"id":14176,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts\/11722\/revisions\/14176"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/media\/11711"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/media?parent=11722"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/categories?post=11722"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/tags?post=11722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}