{"id":10874,"date":"2020-04-07T13:54:41","date_gmt":"2020-04-07T11:54:41","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=10874"},"modified":"2021-08-18T15:52:17","modified_gmt":"2021-08-18T13:52:17","slug":"equinoxes-plateforme-poetique-3","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/fr\/evenements\/lecture-performee\/equinoxes-plateforme-poetique-4\/","title":{"rendered":"\u00c9quinoxes &#8211; plateforme po\u00e9tique #5"},"content":{"rendered":"<p>La po\u00e9sie est notre rose des vents. Elle nous offre force, verticalit\u00e9 et capacit\u00e9 de r\u00e9sistance pour surmonter ensemble et chacun avec soi cette \u00e9preuve de confinement face au Coronavirus.<br \/>\nLa Fondation qui soutient l&#8217;art et la culture totalement indispensables \u00e0 la vie, pour vibrer, rire et r\u00eaver face \u00e0 la difficult\u00e9 du moment, propose tous les jeudis soir \u00e0 20:30 une nouvelle session po\u00e9tique.<\/p>\n<p><strong>Programmation : Pascale Barret<\/strong><\/p>\n<p class=\"v1MsoNormal\">Lecteurs : <strong>Nour Awada<\/strong>, <strong>Pascale Barret<\/strong>, <strong>Micka\u00ebl Berdugo<\/strong>, <strong>Boris Bergmann<\/strong>, <strong>Haleh Chinikar<\/strong>, <strong>Suzy Cohen<\/strong>, <strong>Lise Coirier<\/strong>, <strong>Jean-Philippe Convert<\/strong>, <strong>Fabien Defendini<\/strong>, <strong>Christine Guinard<\/strong>, <strong>Audrey Guttman<\/strong>, <strong>Nathalie Guiot<\/strong>, <strong>M\u00e9lanie Huchet<\/strong>, <strong>Caroline Bonfond<\/strong>, <strong>Pauline Pavec<\/strong>, <strong>Barbara Polla<\/strong>, <strong>J\u00e9rome Porsperger<\/strong>, <strong>Joana Preiss<\/strong>, <strong>Agn\u00e8s Thurnauer<\/strong>, <strong>St\u00e9phanie Verin<\/strong> etc.<\/p>\n<p><strong>Programme <\/strong><br \/>\n<strong>Pauline Pavec<\/strong> : Fleurs et Couronnes de Jacques Pr\u00e9vert (publi\u00e9 dans Paroles, 1946)<br \/>\n<strong>Jean-Philippe Convert<\/strong> : Fumer cr\u00e9er une forte d\u00e9pendance, ne commencez pas<br \/>\n<strong>Nathalie Guiot<\/strong> : L&#8217;homme-joie de Christian Bobin<br \/>\n<strong>Micka\u00ebl Berdugo<\/strong> : Les cheveux ont raison<br \/>\n<strong>Nour Awada<\/strong> : Dialogue avec la gravit\u00e9 de Ushio Amagatsu (Durant la lecture, garder pr\u00e8s de vous un \u0153uf cru)<br \/>\n<strong>M\u00e9lanie Huchet<\/strong> : Zone Grise<br \/>\n<strong>J\u00e9r\u00f4me Porsperger<\/strong> : Tu es un arbre<br \/>\n<strong>St\u00e9phanie Verin<\/strong> : Nos pieds engourdis tomb\u00e8rent dans l&#8217;\u00e9tang de Sandra NAJI<br \/>\n<strong>Agn\u00e8s Thurnauer<\/strong> : Handbook in motion de Simone Forti<br \/>\n<strong>Haleh Chinikar<\/strong> : je pense souvent \u00e0 toi<br \/>\n<strong>Lise Coirier<\/strong> : Daphnis et Chlo\u00e9: Longus, Ravel et moi<br \/>\n<strong>Christine Guinard<\/strong> : Je n&#8217;\u00e9tais qu&#8217;une enfant&#8230; (in St\u00e9lop\u00e9, \u00e9d Unicit\u00e9, 2019) et L&#8217;enfance traverse (vid\u00e9o)<br \/>\n<strong>Boris Bergmann<\/strong> : Lettre \u00e0 un esprit confin\u00e9, Christ r\u00e9cidiviste<br \/>\n<strong>Pascale Barret<\/strong> : Dancing on the edge of the world d&#8217;Ursula Le Guin<br \/>\n<strong>Aline Hemagi<\/strong> : la Vulvitude des choses<br \/>\n<strong>Caroline Bonfond<\/strong> : Ren\u00e9e Vivien<br \/>\n<strong>Audrey Guttman<\/strong> : Poteaux d&#8217;angle d&#8217;Henri Michaux<br \/>\n<strong>Fabien Defendini<\/strong> : J&#8217;ai vu des villes<br \/>\n<strong>Joana Preiss<\/strong> : Equinoxe<br \/>\n<strong>Barbara Polla<\/strong> : s\u00e9rie de Haikus<\/p>","protected":false},"excerpt":{"rendered":"<p>La po\u00e9sie est notre rose des vents. Elle nous offre force, verticalit\u00e9 et capacit\u00e9 de r\u00e9sistance pour surmonter ensemble et chacun avec soi cette \u00e9preuve de confinement face au Coronavirus. La Fondation qui soutient l&#8217;art et la culture totalement indispensables \u00e0 la vie, pour vibrer, rire et r\u00eaver face \u00e0 la difficult\u00e9 du moment, propose [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":11210,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[187],"tags":[202,214],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts\/10874"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/comments?post=10874"}],"version-history":[{"count":42,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts\/10874\/revisions"}],"predecessor-version":[{"id":16364,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/posts\/10874\/revisions\/16364"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/media\/11210"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/media?parent=10874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/categories?post=10874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/fr\/wp-json\/wp\/v2\/tags?post=10874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}