<\/p>\n
The Fondation Thalie invites individuals to come and talk about their relationships with literature and to propose their ideal bibliography through five titles, which will feed the Foundation library to make it a shared library, both timeless yet reflective of the current times.<\/i><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n YANNICK HAENEL<\/strong> published in February 2019 at Fayard, La solitude Caravage<\/em>, telling how towards his 15 years, the author had an aesthetic shock. A learning story that transforms itself into a quest for painting. By plunging into the paintings of Caravaggio (1571-1610), telling the violent and passionate life of this great painter, this book tells an introduction to the\u00a0absolute.<\/p>\n His “biblioth\u00e8que id\u00e9ale” :<\/strong> YANNICK HAENEL<\/strong> lives and writes in Paris. He has published a dozen novels at Gallimard, including <\/em>Tiens ferme ta couronne, Prix M\u00e9dicis 2017, <\/em>Les Renards p\u00e2les (2013), <\/em>Jan Karski, Interalli\u00e9 Prize 2009, or <\/em>Cercle, Prize December 2007. He co-hosts the journal Ligne de risque and holds a weekly column in CharlieHebdo. He directed a film <\/em>La Reine de N\u00e9mi (2017) and wrote for the composer Yann Robin, an opera <\/em>Papillon noir (2018).<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/p>","protected":false},"excerpt":{"rendered":" The Fondation Thalie invites individuals to come and talk about their relationships with literature and to propose their ideal bibliography through five titles, which will feed the Foundation library to make it a shared library, both timeless yet reflective of the current times. YANNICK HAENEL published in February 2019 at Fayard, La solitude Caravage, telling […]<\/p>\n","protected":false},"author":2,"featured_media":6645,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[226,53],"tags":[139],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/6644"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=6644"}],"version-history":[{"count":26,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/6644\/revisions"}],"predecessor-version":[{"id":14193,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/6644\/revisions\/14193"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/6645"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=6644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=6644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=6644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nLe Bain de Diane<\/em> by Pierre Klossowski (Ed. Gallimard)
\nMoby Dick<\/em> by Herman Melville (Ed. Folio)
\n\u00c0 pas aveugles de par le monde by<\/em> Le\u00efb Rochman (Ed. Folio)
\nSa Vie son \u0153uvre<\/em> by Bernard Lamarche-Vadel (Ed. Gallimard)
\nGiacomo Joyce<\/em> by James Joyce (Ed. Multiple)
\n<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n