{"id":5673,"date":"2018-11-16T17:38:50","date_gmt":"2018-11-16T16:38:50","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=5673"},"modified":"2022-11-07T11:33:21","modified_gmt":"2022-11-07T10:33:21","slug":"all-the-beauty-in-the-world-group-show-avec-elena-mazzi-enrica-camporesi","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/en\/events\/loop-festival\/all-the-beauty-in-the-world\/","title":{"rendered":"All the beauty in the world &#8211; group show with Elena Mazzi &#038; Enrica Camporesi"},"content":{"rendered":"<p><strong>Group show with Daniel G. And\u00fajar, Isaias Gri\u00f1olo, Enrica Camporesi &amp; Elena Mazzi (artists-in-residence in 2017-2018), Daniela Ortiz, Oliver Ressler and Zanny Begg.\u00a0<\/strong><\/p>\n<p>Walls, borders, the right of asylum and nationality are fundamental issues to decode the global world we live in. The audiovisual projects in this exhibition use footage images, documentary films, performance or fictionalised reality to tackle key concepts such as democracy, universal citizenship and the global economy of bodies.<\/p>\n<p><strong>ELENA MAZZI<\/strong> (Reggio Emilia, Italia, 1984) &amp; <strong>ENRICA CAMPORESI<\/strong> (Forly, Italy, 1985)<span class=\"Apple-converted-space\"><br \/>\n<\/span>Performing the Self: the interview, 2017. 3-channel video installation, 50\u2019<\/p>\n<p>Performing the self \u2014 the interview\u00a0was made in collaboration with researcher Enrica Camporesi. It stages the impossible conversation between a protection officer and an asylum seeker just before the interpreter arrives. Drawing on interviews with protection officers, asylum seekers, recognized refugees, lawyers and social workers as well the academic literature, \u201cPerforming the self \u2014 the interview\u201d zooms in on the protection officer and the asylum seeker as co-producers of a dialogical but reliable and consistent life story, a new and reasonable plot whose crucial goal is to be awarded with the asylum status.<\/p>\n<p>The interview is a real \u201cmake or break moment\u201d in the life of the asylum seeker. And it puts the protection officer under the immense pressure of judging someone else\u2019s future risk of persecution mainly based on his own oral testimony, while tolerating the intrinsic uncertainty of such a decision making process. What might happen before such an overloaded conversation begins? \u201cPerforming the self \u2014 the interview\u201d builds up an imaginary space that redefines the existing protocol of questions and answers, mutual expectations and power relations.<\/p>\n<p><strong><a href=\"http:\/\/loop-barcelona.com\/activity\/toda-la-belleza-del-mundo-tota-la-bellesa-del-mon-all-the-beauty-in-the-world\/\" target=\"_blank\" rel=\"noopener noreferrer\">Loop festival website<\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Group show with Daniel G. And\u00fajar, Isaias Gri\u00f1olo, Enrica Camporesi &amp; Elena Mazzi (artists-in-residence in 2017-2018), Daniela Ortiz, Oliver Ressler and Zanny Begg.\u00a0 Walls, borders, the right of asylum and nationality are fundamental issues to decode the global world we live in. The audiovisual projects in this exhibition use footage images, documentary films, performance or [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5724,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[125],"tags":[172,180],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/5673"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=5673"}],"version-history":[{"count":13,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/5673\/revisions"}],"predecessor-version":[{"id":20476,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/5673\/revisions\/20476"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/5724"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=5673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=5673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=5673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}