{"id":4461,"date":"2018-08-20T10:57:57","date_gmt":"2018-08-20T08:57:57","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=4461"},"modified":"2022-11-02T18:32:29","modified_gmt":"2022-11-02T17:32:29","slug":"you-should-wear-your-revolution-par-sarah-trouche","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/en\/off-site\/performance-by-sarah-trouche\/","title":{"rendered":"You should wear your revolution by Sarah TROUCHE"},"content":{"rendered":"<p><a href=\"https:\/\/aperformanceaffair.com\" target=\"_blank\" rel=\"noopener noreferrer\">A PERFORMANCE AFFAIR<\/a> is a platform dedicated to the performance art in Brussels. For this first edition entitled &#8220;Panopticon&#8221;, the foundation supports the work of Sarah Trouche (FR). Using the artwork\u00a0<em>Semiotics kitchen<\/em>\u00a0by the feminist artist Martha Rosler, Sarah Trouche will create a set of sculptures with 300 underwear that she has collected, washed and dyed beforehand. Through this action, she imagines a manifesto around the notion of female emancipation, radical and collective.<\/p>\n<p><strong>Sarah Trouche<\/strong> is a French visual artist who uses performance, photography, video and sculpture in her practice. She uses her body as a social and political tool.<\/p>\n<p><strong>Performance Saturday 8 September at 14:00 &gt; 18:15 (duration: 4h)<\/strong><br \/>\n<strong>Sunday, exhibition of the installation <em>You Should wear your revolution from 11:00 to 19:00<br \/>\n<\/em><\/strong><\/p>\n<p><strong>B\u00e2timent Vanderborght<\/strong><br \/>\n<strong>50 rue de l\u2019Ecuyer, 1000 Brussels<br \/>\n<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>A PERFORMANCE AFFAIR is a platform dedicated to the performance art in Brussels. For this first edition entitled &#8220;Panopticon&#8221;, the foundation supports the work of Sarah Trouche (FR). Using the artwork\u00a0Semiotics kitchen\u00a0by the feminist artist Martha Rosler, Sarah Trouche will create a set of sculptures with 300 underwear that she has collected, washed and dyed [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6963,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,17],"tags":[172],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/4461"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=4461"}],"version-history":[{"count":28,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/4461\/revisions"}],"predecessor-version":[{"id":10304,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/4461\/revisions\/10304"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/6963"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=4461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=4461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=4461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}