{"id":406,"date":"2014-04-23T17:20:05","date_gmt":"2014-04-23T15:20:05","guid":{"rendered":"http:\/\/www.fondationthalie.org\/fr\/?p=406"},"modified":"2021-02-04T16:29:14","modified_gmt":"2021-02-04T15:29:14","slug":"the-elegant-woman-of-antwerp-2014","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/en\/off-site\/performances\/francais-the-elegant-woman-of-antwerp\/","title":{"rendered":"<i>The Elegant Woman of Antwerp<\/i>"},"content":{"rendered":"<p>On the occasion of the opening of <em><a href=\"http:\/\/www.fondationthalie.org\/en\/thalie-art-foundation\/francais-the-elegant-woman-of-antwerp#.WWc2ojOz7BU\">Textile Languages<\/a>,\u00a0<\/em><a href=\"http:\/\/www.tanyaleighton.com\/index.php?pageId=646&amp;l=en\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Jimmy Robert<\/strong><\/a> questions clothing as a social marker and critical tool. The artist uses his body as a blank surface, laying cloth patterns on himself as an allegory of textile. For each pattern, a text is read out loud by the artist, like an invitation to discover an individual\u2019s gender, race and social class.<\/p>","protected":false},"excerpt":{"rendered":"<p>On the occasion of the opening of Textile Languages,\u00a0Jimmy Robert questions clothing as a social marker and critical tool. The artist uses his body as a blank surface, laying cloth patterns on himself as an allegory of textile. For each pattern, a text is read out loud by the artist, like an invitation to discover [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":458,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[180],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/406"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=406"}],"version-history":[{"count":28,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/406\/revisions"}],"predecessor-version":[{"id":14169,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/406\/revisions\/14169"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/458"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}