{"id":25112,"date":"2024-10-24T11:39:05","date_gmt":"2024-10-24T09:39:05","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=25112"},"modified":"2024-10-29T17:34:09","modified_gmt":"2024-10-29T16:34:09","slug":"anna-tomaszewski-arts-visuels-ecritures-creatives","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/en\/residencies\/anna-tomaszewski-visual-arts-creative-writings\/","title":{"rendered":"Anna TOMASZEWSKI \/ Visual arts &#038; creative writings"},"content":{"rendered":"<p>The project of <a href=\"http:\/\/annatomaszewski.com\/\" target=\"_blank\" rel=\"noopener\"><strong>Anna Tomaszewski <\/strong><\/a>(1989, France), a Franco-Polish artist, is an extension of her work<strong>\u00a0of gleaning<\/strong>, a practice which consists in recycling fragments\/detritus. Inspired by entropy, she develops a sculptural practice by moving existing spaces towards other ecosystems and perceptions. By probing the interstice between the known and imaginary worlds, she unearths fragments that are catalysts for new spaces and new fictions. In 2014, she was awarded the Prix de la jeune cr\u00e9ation by the city of Nice. Selected for Jeune Cr\u00e9ation and the Salon de Montrouge, her work has been exhibited in various venues including La Villette, the Fiminco Foundation, the Villa Belleville, 22.48 m2, the Cetraro gallery, as well as the Ciap de Vassivi\u00e8re, the Villa Arson and the Espace d&#8217;art contemporain Les Roches.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/www.fondationthalie.org\/en\/guest-curator\/yann-chateigne-tytelman\/\" target=\"_blank\" rel=\"noopener\">Yann Chateign\u00e9 Tytelman<\/a><\/strong>, guest curator for the 2024 residency, will be guided laureates over the course of working sessions.<\/p>","protected":false},"excerpt":{"rendered":"<p>The project of Anna Tomaszewski (1989, France), a Franco-Polish artist, is an extension of her work\u00a0of gleaning, a practice which consists in recycling fragments\/detritus. Inspired by entropy, she develops a sculptural practice by moving existing spaces towards other ecosystems and perceptions. By probing the interstice between the known and imaginary worlds, she unearths fragments that [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":22920,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/25112"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=25112"}],"version-history":[{"count":5,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/25112\/revisions"}],"predecessor-version":[{"id":25147,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/25112\/revisions\/25147"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/22920"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=25112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=25112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=25112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}