{"id":24267,"date":"2024-03-26T13:11:35","date_gmt":"2024-03-26T12:11:35","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=24267"},"modified":"2024-09-18T18:19:47","modified_gmt":"2024-09-18T16:19:47","slug":"6-les-arts-plastiques-quest-ce-que-lart-ecologique-green-soul-lanthropocene-cultures-imaginaires","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/en\/events\/history-of-arts-and-ideas-masterclass\/en-greensoul-6\/","title":{"rendered":"#6 &#8211; Plastic arts. What is &#8220;ecological&#8221; art? <i>GREEN SOUL, The Anthropocene, cultures, imaginaries<\/i>"},"content":{"rendered":"<p><\/p>\n<div class=\"entry-content\">\n<p>Art historian and curator Paul Ardenne is continuing the Green Soul series devised for the Fondation, on cultures and imaginaries in the age of the Anthropocene.<\/p>\n<p><strong>The plastic arts.<\/strong> What is &#8220;ecological&#8221; art? Painting, sculpture, installation, video, between lament, celebration, activism and degrowth.<\/p>\n<p>The aim of this meeting is to define what is becoming of creation in the Anthropocene era. How are the visual arts reacting to the increasing pollution, the collapse of biodiversity, global warming and the depletion of resources that make the headlines every day? How does the visual arts world respond to the challenge of decarbonisation, with what discourse, what resources and what credibility? Ethics, more than ever, are the order of the day, against the destructive fury of the global economy.<\/p>\n<p>In parallel with the change in mentality that is underway, we need to assess the artistic potential of the ecological commitment that &#8216;visual&#8217; artists are making, between aesthetics, ethics and environmental combat, using conventional creation or contextual art that has been declared &#8216;useful&#8217;. The time seems to have come for a radical change in the way things are done and in the methods used.<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>Paul Ardenne<\/strong> has a degree in History and a doctorate in Arts and Art Sciences. He is a contributor to the journals Art press, Archistorm and INTER-Art actuel, and is the author of several books: Art, l\u2019\u00e2ge contemporain (1997), L\u2019Art dans son moment politique (2000), L\u2019Image Corps (2001), Un Art contextuel (2002), Art, le pr\u00e9sent (2009), Un Art \u00e9cologique. Cr\u00e9ation plasticienne et anthropoc\u00e8ne (2018), L\u2019Art en joie. Aesthetics of joyful humanity (2023). He is also a novelist and specialist in architecture (Terre Habit\u00e9e, 2005; La Bonne ville, 2019; Le Boost et le frein \u2013 Comment l\u2019humain b\u00e2tit au 21e si\u00e8cle?, 2021\u2026).<\/em><\/p>\n<p><em>As a curator of contemporary art, Paul Ardenne has designed numerous exhibitions, the most recent of which are \u201cDendromorphies. Creating with trees\u201d (Paris, 2016), \u201cCourants verts. Creating for the environment\u201d (Paris, 2019) and \u201cL\u2019anthropoc\u00e8ne et apr\u00e8s\u201d (Saint-Denis de la R\u00e9union, 2020). He has produced several programmes on France Culture devoted to art in the age of the Anthropocene (\u201c<a href=\"https:\/\/www.radiofrance.fr\/franceculture\/podcasts\/serie-l-art-est-l-environnement\" target=\"_blank\" rel=\"noopener\">L\u2019art est l\u2019environnement<\/a>\u201c, January 2023) and is a regular contributor to the series of programmes <a href=\"https:\/\/www.arte.tv\/en\/videos\/RC-023176\/the-world-in-images\/\" target=\"_blank\" rel=\"noopener\">The World in Images<\/a>, on the ARTE television channel.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>Program<br \/>\n<\/u><\/strong><\/p>\n<p>1. <em>Words that say it all. The \u201cAnthropocene\u201d and its new vocabulary: new reality and new languages<\/em>. Tuesday 21 November, 2023, 6:30pm.<\/p>\n<p>2. <em>The beginnings of ecological thinking. When and how is green consciousness born?<\/em> Tuesday 12 December, 2023, 6:30pm.<\/p>\n<p>3. <em>The imaginary of the end of the world. Post-apocalypse, dystopia, ecological teleology<\/em>. Tuesday 23 January, 2023, 6:30pm.<\/p>\n<p>4. From anthropocene disaster to prodigal creation. The environmental destruction of the world and its rich aesthetic translation. Tuesday 20 February, 2024, 6:30pm.<\/p>\n<p>5. <em>The Green Soul, a cultural commitment. The intellectual movement and the design of a new pro-Earth language<\/em>. Tuesday 19 March, 2024, 6:30pm.<\/p>\n<p>6.\u00a0Plastic arts. What is &#8220;ecological&#8221; art? Tuesday 2 April, 2024, 6:30 pm at <strong>Esa Saint-Luc Bruxelles<\/strong>.<\/p>\n<p>7. <em>Anthropocene-art 2, Ecopoetry, ecocinema, ecoBD, ecomusic, ecotheater, ecodance<\/em>. Tuesday 28 May, 2024, 6:30pm at <strong>Esa Saint-Luc Bruxelles<\/strong>.<\/p>\n<p>8. <em>Towards a Green Soul culture. A new mental, psychic and behavioral alliance. Conjuring anthropophobia and hatred of the destructive human<\/em>. Tuesday 11 June, 2024, 6:30pm at <strong>Esa Saint-Luc Bruxelles<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>Practical information<\/u><\/strong><br \/>\nConference upon online reservation<br \/>\nDuration: 1 hour followed by a discussion with the audience (French speaking)<\/p>\n<\/div>\n<div class=\"entry-content\">\n<p><em>In partnership with <a href=\"https:\/\/www.stluc-bruxelles-esa.be\/Design-d-innovation-sociale-727\" target=\"_blank\" rel=\"noopener\"><strong>ESA Saint-Luc Bruxelles School, Master in Social Innovation Design<\/strong><\/a>.<\/em><\/p>\n<p><a href=\"https:\/\/www.stluc-bruxelles-esa.be\/Design-d-innovation-sociale-727\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"alignnone wp-image-23126\" src=\"https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2023\/07\/esa-logo-1-380x110.jpg\" sizes=\"(max-width: 279px) 100vw, 279px\" srcset=\"https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2023\/07\/esa-logo-1-380x110.jpg 380w, https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2023\/07\/esa-logo-1-1024x296.jpg 1024w, https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2023\/07\/esa-logo-1-768x222.jpg 768w, https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2023\/07\/esa-logo-1-1536x444.jpg 1536w, https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2023\/07\/esa-logo-1-1440x416.jpg 1440w, https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2023\/07\/esa-logo-1-340x98.jpg 340w, https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2023\/07\/esa-logo-1-260x75.jpg 260w, https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2023\/07\/esa-logo-1-300x87.jpg 300w, https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2023\/07\/esa-logo-1-600x173.jpg 600w, https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2023\/07\/esa-logo-1.jpg 1900w\" alt=\"\" width=\"279\" height=\"80\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"social-bar\">\n<div class=\"addthis_toolbox\"><\/div>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Art historian and curator Paul Ardenne is continuing the Green Soul series devised for the Fondation, on cultures and imaginaries in the age of the Anthropocene. The plastic arts. What is &#8220;ecological&#8221; art? Painting, sculpture, installation, video, between lament, celebration, activism and degrowth. The aim of this meeting is to define what is becoming of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":23824,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[270],"tags":[],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/24267"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=24267"}],"version-history":[{"count":23,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/24267\/revisions"}],"predecessor-version":[{"id":24639,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/24267\/revisions\/24639"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/23824"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=24267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=24267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=24267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}