{"id":23024,"date":"2023-10-12T11:23:49","date_gmt":"2023-10-12T09:23:49","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=23024"},"modified":"2024-02-01T10:40:19","modified_gmt":"2024-02-01T09:40:19","slug":"yann-chateigne-tytelman","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/en\/guest-curator\/yann-chateigne-tytelman\/","title":{"rendered":"Yann Chateign\u00e9 Tytelman"},"content":{"rendered":"

Yann Chateign\u00e9 Tytelman<\/strong><\/a> is an author and curator living in Brussels. He has been artistic advisor and researcher in residence at MORPHO<\/a>, Antwerp; curator at Kanal – Centre Pompidou, Brussels (2019-2021); head of the Visual Arts Department at HEAD – Geneva (2009-2017) and of programming at CAPC Mus\u00e9e d’art contemporain de Bordeaux (2007-2009). He recently (co-)organised the exhibitions and projects “Four Sisters<\/a>” (Jewish Museum of Belgium, Brussels, 2023), “A Glittering Ruin Sucked Upwards<\/a>” (HISK, Brussels, 2022), “How to be Organic<\/a>?” (Country SALTS, Bennwil, 2022), “It Never Ends<\/a>” (Kanal, Brussels, 2020-2021) and “Gordon Matta-Clark: Material Thinking<\/a>” (Canadian Centre for Architecture, Montreal and Museum der Moderne, Salzburg, 2019-2021). As an author, he has contributed to Conceptual Fine Arts, Mousse and Spike, among others, and co-edited “Almanach Ecart. A collective archive, 1969-2019<\/a>“(HEAD – Geneva\/art&fiction, 2019). He has just published “Blackout”, a book produced at the invitation of the Centre d’\u00c9dition Contemporaine de Gen\u00e8ve (2023) and available from Presses du r\u00e9el<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"

Yann Chateign\u00e9 Tytelman is an author and curator living in Brussels. He has been artistic advisor and researcher in residence at MORPHO, Antwerp; curator at Kanal – Centre Pompidou, Brussels (2019-2021); head of the Visual Arts Department at HEAD – Geneva (2009-2017) and of programming at CAPC Mus\u00e9e d’art contemporain de Bordeaux (2007-2009). He recently […]<\/p>\n","protected":false},"author":2,"featured_media":23781,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[236],"tags":[],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/23024"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=23024"}],"version-history":[{"count":4,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/23024\/revisions"}],"predecessor-version":[{"id":23783,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/23024\/revisions\/23783"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/23781"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=23024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=23024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=23024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}