\nInspired by the monumental fountains of ancient Rome, which<\/span>,<\/span> during the Renaissance<\/span>,<\/span> became fashionable ornaments in parks and gardens, the <\/span>rock garden <\/span>theater of Nymph\u00e9e<\/i><\/span>,<\/span><\/i> over three meters<\/span> long<\/span>, stands <\/span>majest<\/span>ically<\/span> at<\/span> the heart of the exhibition<\/span>, <\/span>revealing the artist<\/span>\u2019s full <\/span>mastery. <\/span>T<\/span>he gaze wanders <\/span>across<\/span> the landscape<\/span> strata <\/span>at <\/span>reduced<\/span> scale, to which the sculpted cardboard <\/span>\u2014<\/span> h<\/span>er<\/span> favourite <\/span>material <\/span>\u2014<\/span> features<\/span> a <\/span>rock<\/span>y <\/span>appearance.<\/span><\/div>\n
Conducive to <\/span>psychological<\/span> escap<\/span>ism<\/span> and wandering imagination, the forests that made Eva Jospin <\/span>so celebrated<\/span> also hold an important place in the <\/span>visitor\u2019s journey<\/span>, <\/span>expressed<\/span> in multiple mediums and formats. Woven with silk threads, as <\/span>with<\/span> the woodland embroideries that <\/span>embellish<\/span> the library <\/span>sector<\/span>, they bear witness to the artist’s talent as a colourist. Chiseled in bas-relief <\/i>in the cardboard, they <\/span>imbue<\/span> the sculpture with <\/span>meticulousness and attention to detail <\/span>that is usually<\/span> reserved<\/span> to drawing, which <\/span>in fact<\/span> serves as <\/span>the<\/span> matrix for all of Eva Jospin’s plastic research.<\/span><\/p>\n<\/div>\n While <\/span>this<\/span> era<\/span> struggles with<\/span> unprecedented crisis <\/span>in<\/span> the living<\/span> world<\/span>, these works <\/span>absent<\/span> of human<\/span>s<\/span> (<\/span>yet full of stories<\/span>) <\/span>reveal<\/span> nature<\/span> in <\/span>different<\/span> depictions<\/span>, <\/span>inspiring<\/span> us to<\/span> feel <\/span>re-enchant<\/span>ed with<\/span> our relationship <\/span>to<\/span> the world. Silent and sensitive, these composite d<\/span>\u00e9<\/span>co<\/span>r<\/span>s<\/span> \u2014 <\/span>plants, minerals and buil<\/span>t structure<\/span>s com<\/span>ing<\/span> together<\/span> \u2014 <\/span>invite<\/span>viewers<\/span> to meditate, <\/span>to <\/span>dream, and <\/span>to <\/span>take the time <\/span>for mindful<\/span> contemplation.<\/span><\/p>\n<\/div>\n<\/div>\n <\/p>\n Curator:\u00a0Nathalie Guiot<\/strong><\/p>\n <\/p>\n Eva Jospin<\/strong> (born in 1975 in Paris) is a graduate of the E\u0301cole Nationale Supe\u0301rieure des Beaux-Arts in Paris. For fifteen years, she has been composing scaleable architectural forest landscapes. Winner of the Prix de l\u2019Acade\u0301mie des Beaux-Arts in 2015 and resident of the Villa Medici in Rome in 2017, she has had numerous international exhibitions, notably at the Palais of Tokyo (<\/em>Inside, 2014), at the Palazzo Dei Diamanti in Ferrara (2018), at the Hayward Gallery (2020) and most recently at the Muse\u0301e de la Chasse et de la Nature in Paris (<\/em>Galleria, 2021). The artist has also unveiled several monumental and immersive installations as part of specific commissions: in the center of the Cour carre\u0301e of the Louvre (<\/em>Panorama, 2016), at the Abbaye de Montmajour (<\/em>Ce\u0301notaphe, 2020), and she also created permanently-installed works such as <\/em>Folie at the Domaine de Chaumont-sur-Loire (2015), <\/em>La Traverse\u0301e at Beaupassage in Paris (2018) and <\/em>Le Passage in Nantes (2019). Eva Jospin will be exhibiting in the chapel of the Palais des Papes in Avignon this summer in a monographic exhibition entitled “Palazzo” as well as at the Collection Lambert where she will present a selection of works. She is also the guest artist of the Carte Blanche programme of the Maison Ruinart.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n Eva Jospin is represented by G<\/span>alerie<\/span> Suzanne Tarasieve<\/span> in<\/span> Paris.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n <\/p>\n PRACTICAL INFORMATION<\/u><\/strong><\/p>\n Exhibition from 15 April to 23 September 2023 Commented tour every Wednesday and Saturday at 3 pm. Free entrance every first Saturday of the month.<\/p>\n <\/p>\n <\/p>\n With the support of the French Embassy in Belgium and the French Institute, as part of Extra 2023, a programme to support French contemporary creation. In partnership with Art Brussels and Maison Ruinart.<\/em><\/strong><\/p>\n The Fondation Thalie presents French artist Eva Jospin\u2019s work in Brussels (from 15 April-23 September, 2023) for the first time. The exhibition \u201cPanorama\u201d invites viewers to take a poetic stroll through the artist\u2019s sculptural work: a\u00a0call to daydream with philosophic accents of Jean-Jacques Rousseau between fragments of landscapes and fantastical architectural elements. In the artist\u2019s […]<\/p>\n","protected":false},"author":2,"featured_media":21408,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[39],"tags":[180],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/21281"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=21281"}],"version-history":[{"count":52,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/21281\/revisions"}],"predecessor-version":[{"id":23558,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/21281\/revisions\/23558"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/21408"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=21281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=21281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=21281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nFrom Wednesday to Saturday from 12pm to 6pm.
\nEntrance 5\u20ac \/ Free* (on presentation of suitable evidence)
\n*Students, teachers, -26, job seekers, SMART members<\/p>\n![\"\"](\"https:\/\/www.fondationthalie.org\/wp-content\/uploads\/2023\/04\/Logos-utiles_EVA-JOSPIN-380x80.jpg\")
<\/p>","protected":false},"excerpt":{"rendered":"