{"id":20260,"date":"2022-10-28T19:57:47","date_gmt":"2022-10-28T17:57:47","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=20260"},"modified":"2023-05-12T15:46:15","modified_gmt":"2023-05-12T13:46:15","slug":"createurs-face-a-lurgence-climatique-irene-kopelman-et-richard-sennett","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/en\/non-classe\/francais-createurs-face-a-lurgence-climatique-irene-kopelman-et-richard-sennett\/","title":{"rendered":"Creators facing Climate Emergency: Irene Kopelman and Richard Sennett"},"content":{"rendered":"

Fondation Thalie and the \u00c9cole Nationale Sup\u00e9rieure des Arts D\u00e9coratifs, Paris join forces for the 3rd season of “Creators facing Climate Emergency” and invite visual artist Irene Kopelman in\u00a0dialogue with sociologist Richard Sennett to\u00a0address the topic of “Cooperating with the living”.\u00a0<\/strong><\/p>\n

Launched in 2020 by the Fondation Thalie\u2019s founder<\/span>\u00a0Nathalie Guiot<\/strong>, the series of conversations Creators facing climate emergency<\/strong><\/em><\/a> calls upon the creative vision of the artist to imagine alternative futures and to reveal scientific facts through sensory experiences that involve collaboration with scientists and\u00a0to foster greater knowledge-sharing between these two disciplines.\u00a0<\/span><\/p>\n

The full series of conversations is now available as an audio podcast<\/a>!<\/em><\/p>\n

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Wednesday 30 November, 6pm-7:30 pm (\u00c9<\/span>cole des Arts D\u00e9coratifs<\/span>)<\/strong><\/span><\/p>\n

Guests: Irene Kopelman<\/strong>, artist and Richard Sennett<\/strong>, sociologist.
\nCo-moderated by Stefano Vendramin<\/strong>,\u00a0curator of the programme “Creators facing Climate Emergency”\u00a0and Anna Bernagozzi<\/strong>, teacher of History and Theory of Design, \u00c9cole des Arts D\u00e9coratifs, Paris.\u00a0<\/span><\/p>\n

\u201cWe cooperate to accomplish what we cannot do alone<\/em>,<\/strong>\u201d writes Richard Sennett, sociologist, author and professor at MIT, Columbia University and the LSE. This statement describes equally well the approach of the Argentinian artist Irene Kopelman, who is currently the subject of an exhibition at MAMAC (Nice), whose artistic practice is underpinned by a long-term engagement with scientists and their subjects, ranging from forests to bacteria.
\nMore generally, cooperation, a subject in which Richard Sennett is a specialist, has long played a crucial role in the survival of our species. However, the consequences of the Anthropocene on our planetary resources are now forcing us all to cooperate in unprecedented ways, not only among ourselves, across disciplines and borders, but also with the other species around us. This conversation looks at cooperation as a fundamental tool in the face of our changing climate, through the prism of the relationship between Art and Science.<\/p>\n

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 <\/p>\n

The guests\u00a0<\/strong><\/em><\/p>\n

Irene Kopelman<\/strong> (born in Co\u0301rdoba, Argentina in 1974), lives and works between Amsterdam and Argentina. Fascinated by the cabinets of curiosity and the representation of landscapes by naturalists in the 18th and 19th centuries, she questions this period of exploration and construction of knowledge on natural phenomena. She has carried out numerous research residencies in collaboration with natural history museums, geological collections (London, Amsterdam) or nature parks (Hawaii). Her research is embodied in drawings, paintings, texts, editions and installations that evoke fragile ecosystems.
\n<\/span><\/em>Recent projects include \u201cQuaternary Unfolded\u201d, Galerie Jocelyn Wolff, Paris (2021); \u201cA tiny world and countless compositions in it\u201d, Kranenburg, Bergen, Netherlands (2020); \u201cOn Yellows\u201d, MAMM, Museo de Arte Moderno de Medellin, Colombia, CO (2020); \u201cCardinal Points\u201d\u00a0 Museo Emilio Caraffa, Cordoba, AR 2018; \u201cIrene Kopelman\u201d, MAMAC, Mus\u00e9e d’Art moderne et d’Art Contemporain, Nice (2018); \u201cCardinal Points\u201d, Museo de Arte Latinoamericana, Buenos Aires (2018); \u201cIndexing Water\u201d, Kunsthalle Lissabon (2017); \u201cCampamento de Dibujo\u201d, Parc National Quebrada del Condorito, Cordoue (2017); SITE International Biennial of Santa Fe, N.M. (2014); \u201cVertical Landscape\u201d, 8th Berlin Biennial of Art, Berlin (2014).<\/em> <\/span><\/p>\n


\nRichard Sennett<\/strong> currently serves as Chair of the UN Habitat Urban Initiatives Group.\u00a0 He is Senior Fellow at the Center on Capitalism and Society at Columbia University and Visiting Professor of Urban Studies at MIT.
\n<\/span>Previously, he founded the New York Institute for the Humanities, taught at New York University and at the London School of Economics, and served as President of the American Council on Work.
\n<\/span>Over the course of the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include <\/span>The Hidden Injuries of Class<\/span>, <\/span>The Fall of Public Man<\/span>,\u00a0 <\/span>The Corrosion of Character<\/span>, <\/span>The Culture of the New Capitalism<\/span>,\u00a0 <\/span>The Craftsman<\/span>, and\u00a0 <\/span>Building and Dwelling<\/span>.\u00a0<\/span>Among other awards, he has received the Hegel Prize, the Spinoza Prize, an honorary doctorate from Cambridge University, and the Centennial Medal from Harvard University.\u00a0<\/span>Richard Sennett grew up in the Cabrini Green housing project in Chicago.\u00a0 He attended the Julliard School in New York, where he worked with Claus Adam, cellist of the Julliard Quartet.\u00a0 He then studied social relations at Harvard, working with David Riesman, and independently with Hannah Arendt.<\/span><\/em><\/p>\n

 <\/p>\n

Practical information
\n<\/strong><\/span>English speaking conversation form 6:00 pm to 7:30 pm followed by a convivial exchange with the speakers.
\n\u00c9<\/span>cole des Arts D\u00e9coratifs,\u00a0<\/span>31 rue d’Ulm 75005 Paris<\/p>\n

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\nBased on a curatorial proposal by Fondation Thalie, this third season hosted at the \u00c9cole des Arts D\u00e9coratifs is organised by Stefano Vendramin<\/strong>, curator of the programme “Creators facing Climate Emergency”, in co-construction with Francesca Cozzolino<\/strong>, teacher in human and social sciences, and Patrick Laffont-DeLojo<\/strong>, teacher in stage design at the \u00c9cole des Arts D\u00e9coratifs.
\n<\/em><\/p>\n

In partnership with the\u00a0\u00c9cole des Arts D\u00e9coratifs, Paris<\/strong><\/a><\/p>\n

\"\"<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Fondation Thalie and the \u00c9cole Nationale Sup\u00e9rieure des Arts D\u00e9coratifs, Paris join forces for the 3rd season of “Creators facing Climate Emergency” and invite visual artist Irene Kopelman in\u00a0dialogue with sociologist Richard Sennett to\u00a0address the topic of “Cooperating with the living”.\u00a0 Launched in 2020 by the Fondation Thalie\u2019s founder\u00a0Nathalie Guiot, the series of conversations Creators […]<\/p>\n","protected":false},"author":2,"featured_media":21001,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[225],"tags":[256,221],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/20260"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=20260"}],"version-history":[{"count":52,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/20260\/revisions"}],"predecessor-version":[{"id":21947,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/20260\/revisions\/21947"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/21001"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=20260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=20260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=20260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}