{"id":16428,"date":"2021-08-26T14:49:49","date_gmt":"2021-08-26T12:49:49","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=16428"},"modified":"2022-11-02T19:39:45","modified_gmt":"2022-11-02T18:39:45","slug":"rencontre-avec-veronique-caye-paul-ardenne","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/en\/events\/table-ronde\/francais-rencontre-veronique-caye-paul-ardenne\/","title":{"rendered":"Masterclass by V\u00e9ronique Caye &#038; Paul Ardenne: Ecology of images"},"content":{"rendered":"<p>The Foundation invites the artist and author <strong>V\u00e9ronique Caye<\/strong> in discussion with the writer and curator <strong>Paul Ardenne<\/strong> to present <em><strong>Horizon<\/strong><\/em>, an artist&#8217;s book by Paul Ardenne and Barbara Polla published on the occasion of the<strong> eponymous exhibition at the Analix Forever gallery in Geneva <\/strong>last may 2021.\u00a0A portrait of the artist is woven around a capture of horizons on the Atlantic coast (120 days, 120 horizons), with three contributions by the authors: an interview, a fictional text and a critical text.<\/p>\n<p>A book signing of <em><strong>Horizon<\/strong><\/em> and <em><strong>Vera Icona, Ab\u00e9c\u00e9daire de l&#8217;image sc\u00e8ne<\/strong><\/em> (<a href=\"https:\/\/hematomes.be\/\" target=\"_blank\" rel=\"noopener\">Editions H\u00e9matomes<\/a>, 2021) will take place after the conversation.<\/p>\n<p>&nbsp;<\/p>\n<p><em>In biology, ecology means that a plant or animal species can only survive in a certain climate and environment. There are many factors that allow an organism to thrive in a particular habitat, while in another it could not thrive or survive. [&#8230;] The image evolves, but the ecology, the social context, acts in turn on why and how one makes images.<\/em><\/p>\n<p>Ernst Gombrich, Didier \u00c9ribon, What Images Tell Us, Arl\u00e9a, Paris, 2009<\/p>\n<p>Why have images &#8211; still or moving &#8211; invaded our daily lives? What is the image? What does it do? What does it do to us? Is it the symptom of a society that builds itself up in the invention of a &#8220;double in image&#8221;, in the face of a reality that is too harsh to bear? What context does it reflect? Paul Ardenne and V\u00e9ronique Caye present their artistic and philosophical reflections on the ecology of images in the contemporary world.<\/p>\n<p>\u2014 Paul Ardenne et V\u00e9ronique Caye<\/p>\n<p>&nbsp;<\/p>\n<p><strong>V\u00e9ronique Caye<\/strong> is a director and video artist. She graduated in art from the University of Paris VIII and trained at the F\u00e9mis and at the College Teatro of the Venice Biennale with Romeo Castellucci. She explores the medium of video through a multiple use of the medium &#8211; staging, visual scenographies, videos, photographs, installations, performances and teaching. Through some fifteen shows in France, Europe and Japan and numerous videos, she has developed a dramaturgy of the image that always lets the &#8220;poem&#8221; dominate the medium.\u00a0She is the author of Vera Icona, Ab\u00e9c\u00e9daire de l&#8217;image sc\u00e8ne (H\u00e9matomes \u00c9ditions, 2021). <a href=\"http:\/\/www.victorverite.com\" target=\"_blank\" rel=\"noopener\">www.victorverite.com<\/a><\/p>\n<p><strong><br \/>\nPaul Ardenne<\/strong> is the author of several books on current aesthetics: <em>Art, l&#8217;\u00e2ge contemporain<\/em> (1997), <em>L&#8217;Art dans son moment politique<\/em> (2000), <em>L&#8217;Image Corps<\/em> (2001), <em>Un Art contextuel<\/em> (2002), <em>Portraitur\u00e9s<\/em> (2003). Other essays: <em>Extr\u00eame<\/em> (2006), <em>Art, le pr\u00e9sent<\/em> (2009),\u00a0<em>Un Art \u00e9cologique<\/em> (2018), <em>Apologie du Dragster<\/em> (2019)&#8230;\u00a0He has also curated numerous exhibitions including &#8220;Micropolitiques&#8221; (Grenoble, 2000), &#8220;L&#8217;Histoire est \u00e0 moi! (Printemps de Septembre in Toulouse, 2012), &#8220;Paradiso Lussemburgo&#8221; (Pavillon du Luxembourg, Venice Biennale 2015), &#8220;Humanimalismes&#8221; (Paris, 2020), &#8220;Courants verts &#8211; Cr\u00e9er pour l&#8217;environnement&#8221; (Fondation EDF, Paris, 2020).<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Practical information<\/strong><br \/>\n<span style=\"text-decoration: underline;\">Online ticketing<\/span>: reservation required &#8211; limited places for this event.<br \/>\nPrice: 12\u20ac \/ 5\u20ac* \/ Free admission**<br \/>\n*Jobseekers, teachers, under 26, SMART members<br \/>\n**Students and children up to 12<br \/>\n15 rue Buchholtz, 1050 Brussels<br \/>\nT +32 244 60 343<\/p>\n<p><strong>This event will be available as a podcast <a href=\"https:\/\/www.fondationthalie.org\/en\/podcasts\" target=\"_blank\" rel=\"noopener\">on our website<\/a> and <a href=\"https:\/\/www.youtube.com\/channel\/UClx4PIdyZ-HV0Jr9609UQ-Q\" target=\"_blank\" rel=\"noopener\">on Youtube<\/a>.\u00a0<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>The Foundation invites the artist and author V\u00e9ronique Caye in discussion with the writer and curator Paul Ardenne to present Horizon, an artist&#8217;s book by Paul Ardenne and Barbara Polla published on the occasion of the eponymous exhibition at the Analix Forever gallery in Geneva last may 2021.\u00a0A portrait of the artist is woven around [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":16544,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[138],"tags":[139],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/16428"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=16428"}],"version-history":[{"count":38,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/16428\/revisions"}],"predecessor-version":[{"id":17115,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/16428\/revisions\/17115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/16544"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=16428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=16428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=16428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}