{"id":15785,"date":"2021-06-05T16:44:25","date_gmt":"2021-06-05T14:44:25","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=15785"},"modified":"2022-11-05T15:35:15","modified_gmt":"2022-11-05T14:35:15","slug":"equinoxes-audace","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/en\/events\/poetic-readings\/equinoxes-boldness\/","title":{"rendered":"Equinoxes: Audacity"},"content":{"rendered":"<p>Following the success of the <em><strong><a href=\"https:\/\/www.fondationthalie.org\/en\/podcasts?tags%5B%5D=229\" target=\"_blank\" rel=\"noopener\">Equinoxes<\/a><\/strong><\/em> poetry platform, the Foundation keeps extending the poets community bringing together <strong>writers<\/strong>, <strong>artists<\/strong> and <strong>musicians<\/strong> for an <strong>evening of readings and performances<\/strong> on the theme of the\u00a0<strong>audacity<\/strong>.<\/p>\n<p><a href=\"https:\/\/us02web.zoom.us\/webinar\/register\/WN_rTqIieIDSqyY2x8buvecRA\" target=\"_blank\" rel=\"noopener\"><strong>Join us live<\/strong><\/a> on the Foundation&#8217;s website on <strong>Thursday 17 June!<\/strong><br \/>\n<strong>Send us your text<\/strong> and read with us live: <a href=\"equinoxes@fondationthalie.org\" target=\"_blank\" rel=\"noopener\">here<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&#8220;Faced with the idiocy of the algorithm, the audacity to think backwards, to rebel, to remain SELF&#8221;<br \/>\n<em>Marie de Brugerolle about a text by Nathalie Guiot<\/em><\/p>\n<p>&#8220;To be born, is it not the greatest audacity of existence?\u00a0&#8221;<br \/>\n<em>Eric Duvoisin<\/em><\/p>\n<p>&#8220;Daring: a tree under the sky in the early morning.<br \/>\nDaring: the flame in the flower.\u00a0&#8221;<br \/>\n<em>Mathilde Vischer<\/em><\/p>\n<p>My audacity:<br \/>\n&#8220;I decide to be new and regenerated and without projections on my life.<br \/>\nI decide to accept the unrolling of the immense carpet of mystery that I do not know.<br \/>\nI decide to take my heart in my arms and cradle it until it stops shaking.<br \/>\nI decide to be me, this stranger.<br \/>\n&#8230;<br \/>\nI accept my strength, my cracks and my light.&#8221;<br \/>\n<em>Estelle Meyer<\/em><\/p>\n<p>&#8220;In the heat of my thoughts, audacity is thrown like an ember: this word rings strangely in my ears, provokes a little fright, close to the call of the void, because suddenly I realise that it rhymes with filasse. With &#8220;brouasse&#8221;. But no!\u00a0 It is alive, it is in &#8220;ace&#8221;, it is on the spot, frank, vivacious, it embraces and embraces, it embraces me, this word&#8230; it sounds like the death knell, it freezes me and I look for that: if there is a collapse in audacity, there is, I believe, a new beginning, a dawn of audacity, a dawn, a gift hidden in the word itself. Audacity is first of all anagram! AUDACITY AS A GIFT&#8221;.<br \/>\n<em>Marion Coll\u00e9\u00a0<\/em><\/p>\n<p>Programming and moderation: <strong>Barbara Polla<\/strong><\/p>\n<p><em>Guest readers:\u00a0<\/em><b class=\"\">Boris Bergmann,\u00a0<\/b><b class=\"\">Mathilde Vischer,\u00a0<\/b><b class=\"\">Estelle Meyer,\u00a0<\/b><b class=\"\">Liv Kawa-Topor,\u00a0<\/b><b class=\"\">Nathalie Guiot (in pair with Barbara Polla),\u00a0<\/b><b class=\"\">Marion Coll\u00e9,\u00a0<\/b><b class=\"\">Golnoosh Nour,\u00a0<\/b><b class=\"\">Joseph Schiano di Lombo,\u00a0<\/b><b class=\"\">Christine Guinard,\u00a0<\/b><b class=\"\">Astrid Chaffringeon,\u00a0<\/b><b class=\"\">Eric Duvoisin,\u00a0<\/b><b class=\"\">Julie Delaloye,\u00a0<\/b><b class=\"\">Nathalie Vanderlinden.\u00a0<\/b><\/p>\n<p>Special thanks to <strong>Antonio Rodriguez<\/strong><\/p>\n<p><strong><br \/>\nFollow this event:<\/strong><\/p>\n<ul>\n<li><strong>Sign up for free to comment live readings <\/strong>or access livestream diffusion on our <strong><a href=\"https:\/\/www.fondationthalie.org\/en\/events\/poetic-readings\/equinoxes-boldness\" target=\"_blank\" rel=\"noopener\">website<\/a> <\/strong>and<strong> <a href=\"https:\/\/www.facebook.com\/fondationthalie\" target=\"_blank\" rel=\"noopener\">Facebook Live<\/a><\/strong>.<\/li>\n<li>Readings will be available as a\u00a0<strong><a href=\"https:\/\/www.fondationthalie.org\/en\/podcasts?v=d3dcf429c679\" target=\"_blank\" rel=\"noopener noreferrer\">podcast<\/a>\u00a0<\/strong>and on <strong><a href=\"https:\/\/www.youtube.com\/channel\/UClx4PIdyZ-HV0Jr9609UQ-Q\" target=\"_blank\" rel=\"noopener noreferrer\">Youtube<\/a><\/strong> the day after diffusion.<\/li>\n<\/ul>\n<h4><span style=\"color: #993366;\"><br \/>\nCall for texts<\/span><\/h4>\n<p><strong>Should you wish to take part to poetic platform Equinoxes and read a text with us<\/strong>, send us your poems\u00a0<a href=\"mailto:equinoxes@fondationthalie.org\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>here<\/strong><\/a>.<\/p>\n<h4>Reading list<\/h4>\n<p><strong><br \/>\n1) Boris Bergmann<\/strong> is a writer. His latest book, <em>Les Corps insurg\u00e9s<\/em> (Calmann L\u00e9vy, 2020) received the <strong>F\u00e9lix F\u00e9n\u00e9on prize<\/strong>.\u00a0For \u00c9quinoxes, he will read texts from Ren\u00e9 Daumal &#8211; an author who fascinates him and to whom he is dedicating an exhibition (&#8220;Monts Analogues&#8221;, FRAC Champagne Ardenne, 17 September-23 December 2021) and a publication (<em>Les Monts Analogues,<\/em>\u00a0Ren\u00e9 Daumal, Gallimard, October 2021) with the support of Fondation Thalie.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2) Mathilde Vischer<\/strong> is a poetry translator, professor at the Faculty of Translation and Interpretation in Geneva, and a poet. Alongside her translations of poems from Italian, she has published two books of poems: <em>Lisi\u00e8res<\/em> (2014) and <em>Comme une \u00e9toile tombe dans la nuit<\/em> (2019). She has also published her texts in N47, Arpa; in Le Courrier; and on the websites Recours au po\u00e8me and Terre \u00e0 ciel. She received the <strong>Louis Guillaume Prose Poem Prize<\/strong> and the <strong>Terra Nova Prize<\/strong> (2015) for Lisi\u00e8res.<br \/>\n<span style=\"text-decoration: underline;\">Her reading is entitled <strong>Le corps du feu<\/strong><\/span>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>3) Estelle Meyer<\/strong> is an actress and singer. She trained at the Conservatoire National Sup\u00e9rieur d&#8217;Art Dramatique de Paris. In the theatre, she is, among other things, the last Assyrian emperor for Josephine Serre in Data Mossoul at the Th\u00e9\u00e2tre de la Colline; Princess Europe for the Birgit Ensemble at the IN Festival in Avignon; the Queen of the Fairies for Guillaume Vincent at the Th\u00e9\u00e2tre de l&#8217;Odeon; the Pharaoh Hatschepsout for Arte; the voice of Amy Winehouse for Benjamin Abitan on France Culture and she can be found in Andando, a musical show directed by Daniel San Pedro at the Bouffes du Nord.\u00a0In the cinema&#8230; in the theatre again&#8230; and to come&#8230; Under her dress, her heart. And we are all her sisters.<br \/>\n<span style=\"text-decoration: underline;\">Her reading is entitled <strong>Vivre, quelle immense audace!<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>4) Liv Kawa-Topor<\/strong> is a multidisciplinary artist, researcher in art history and aesthetics, illustrator.<br \/>\n<span style=\"text-decoration: underline;\">Her reading is entitled <strong>Le corbeau<\/strong><\/span> (extract from <em>Mon Roman de Renard<\/em> by Xavier Kawa-Topor)<\/p>\n<p><strong><br \/>\n5) Nathalie Guiot<br \/>\n<\/strong>She has founded Fondation Thalie. Behind the Foundation, or in front of it, there is Nathalie Guiot, and it is she who supports artists, women, creation and ecology, books and poetry&#8230; and it is thanks to her that these Equinoxes evenings exist.<br \/>\n<span style=\"text-decoration: underline;\">Her reading is entitled <strong>Marguerite<\/strong> <\/span>(reading in pair with <strong>Barbara Polla<\/strong>)<\/p>\n<p><strong><br \/>\n6) Marion Coll\u00e9<\/strong> thinks and creates with her body. A former student of the Acad\u00e9mie Fratellini and a fil-de-f\u00e9riste, she completed her circus training at the Centre National des Arts du Cirque. Poetry is the second thread of Marion Coll\u00e9&#8217;s life, and she has published <em>\u00catre fil<\/em> with Bruno Doucey. She created the Collectif Porte27, and collaborates with V\u00e9ronique Caye. This is what she says about poetry: &#8220;Poetry saves the world. It claims our inner reality, even when we feel isolated and precarious. It is solitude, a journey to and from oneself, wandering, the quest for beauty, without ego, without power relations. It is simply about going towards oneself and one&#8217;s writing. &#8221;<br \/>\n<span style=\"text-decoration: underline;\">Her reading is entitled <strong>Anagram<\/strong><\/span>. Anagram, invented and written for us.<\/p>\n<p><strong><br \/>\n7) Joseph Schiano di Lombo<\/strong><br \/>\nThrough visual, musical and literary works, he balances nowhere, on the periphery of this text. From his training as an instrumentalist, he has a propensity to let himself be crossed by the paths he takes, like an interpreter; halfway between the marked paths and the off-trail, the noble and the trivial, the conceptual and the sensual, the core and the envelope, between what a thing is and what it is not, his subjects, references and constraints become muses that he has fun making sound different. Behind these stylistic exercises and alchemical processes, he plays with everything and reveals, by re-presenting them to the world, new possibilities of being.<br \/>\n<span style=\"text-decoration: underline;\">His reading is entitled <strong>Les Mouettes<\/strong><\/span>, a text from the Pl\u00e9iade of the Taoist Philosophers.<\/p>\n<p><strong><br \/>\n8) Christine Guinard<\/strong><br \/>\nPoet, musician, video artist, author of St\u00e9nop\u00e9 (poetry prize of the City of Rambouillet\/Arts et Lettres, finalist of the Grand Prix de po\u00e9sie de la SGDL 2020), a collection that &#8220;attempts to cry out, again and again, to those who are excluded, thrown away, rejected, brothers, sisters, from this territory of which we are a little you and I, all of us, from this humanity that is being forgotten&#8230;&#8221;<br \/>\n<span style=\"text-decoration: underline;\">Her reading is entitled <strong>&#8220;Sorci\u00e8re(s) \/ rouge&#8221;<\/strong><\/span>.\u00a0Initially, a video extracted from a video triptych created during a residency at the Cent-Quatre Paris and which was entitled Mnemosyne(s). This is the third part, Mnemosyne(s) THREE.<br \/>\nInvited to the &#8220;To be a woman&#8221; festival in Baku at the end of 2019, Christine Guinard worked again on it by inserting her text &#8220;Sorci\u00e8re&#8221; published in St\u00e9nop\u00e9.\u00a0The video became &#8220;Sorci\u00e8re(s) \/ rouge&#8221;.<\/p>\n<p><strong><br \/>\n9) Astrid Chaffringeo<\/strong>n is an author.\u00a0A committed feminist, she writes and works alone or in partnership with artists on the notions of borders and displacement, and also on violence.\u00a0She has written several novels: the latest,<em>\u00a0Je ne chasse pas sur mon territoire<\/em>, was published by <em>\u00e9lements de langage<\/em> in the autumn of 2020: &#8220;a feminist novel with bewitching force&#8221;. Astrid forces and plays bold and has written a text specifically for this evening.<br \/>\n<span style=\"text-decoration: underline;\">Her reading is entitled <strong>De quoi j&#8217;ai l&#8217;air<\/strong><\/span>.<\/p>\n<p><strong><br \/>\n10) Eric Duvoisin<\/strong> was born in 1975 in Yverdon-les-Bains, Switzerland. He currently teaches French and history at the high school in Bern, where he lives with his family. He has published texts in journals as well as two collections of poetry: in 2011, <em>Paysage rapace<\/em>, in 2016, <em>Ordre de marche<\/em>, published by Samizdat in Geneva. His next collection, Ganga, is to be published in November 2021. He has participated in the animation of the website <a href=\"http:\/\/poesieromande.lyricalvalley.org\" target=\"_blank\" rel=\"noopener\">poesieromande.ch<\/a><br \/>\n<span style=\"text-decoration: underline;\">His reading is entitled <strong>Le r\u00eave du ventre<\/strong><\/span>. The narrator describes the great adventure of coming into the world: a father watches his partner&#8217;s belly grow and dreams of the embryo that will become a body, then a newborn.<\/p>\n<p><strong><br \/>\n11) Julie Delaloye\u00a0<\/strong>was awarded the Prix de la Vocation by the Fondation Bleustein-Blanchet in Paris in 2008, with her first collection &#8220;Dans un ciel de f\u00e9vrier&#8221; published by Cheyne in 2008. A second collection was published in 2015, &#8220;Malgr\u00e9 la neige&#8221; (Despite the snow) by Cheyne (final selection for the 2016 Apollinaire Prize).\u00a0Julie Delaloye is also a hospital doctor, specialising in internal medicine, infectiology and intensive care. As a result of her dual vocation as a doctor and a poet, she has been reflecting on the place of poetry in medicine and in the medical history of patients. Since 2016, Julie Delaloye has been organising &#8220;Le Printemps de la po\u00e9sie&#8221; in hospitals in French-speaking Switzerland, with the aim of making poetry accessible to patients. Poetry distributions, exhibitions, readings and poetry meetings are thus organised every year in hospitals in French-speaking Switzerland.<br \/>\n<span style=\"text-decoration: underline;\">Her reading is\u00a0<strong>Ce qu&#8217;il reste de joie<\/strong>.<\/span><\/p>\n<p><strong><br \/>\n12) Nathalie Vanderlinden<\/strong> calls herself a poet, because poetry is life, poetry is everywhere you want to see it and experience it. In a cup of tea, in a child&#8217;s smile, in the smell left by another person. Every encounter leaves a trace.<br \/>\n<span style=\"text-decoration: underline;\">Her reading is entitled <strong>for and not against<\/strong><\/span>, a text read in April at the occupation gallery of the Th\u00e9\u00e2tre de la Monnaie. It&#8217;s about daring to say to be free and to be FOR.<\/p>","protected":false},"excerpt":{"rendered":"<p>Following the success of the Equinoxes poetry platform, the Foundation keeps extending the poets community bringing together writers, artists and musicians for an evening of readings and performances on the theme of the\u00a0audacity. Join us live on the Foundation&#8217;s website on Thursday 17 June! Send us your text and read with us live: here &nbsp; [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":15798,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[210],"tags":[214],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/15785"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=15785"}],"version-history":[{"count":54,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/15785\/revisions"}],"predecessor-version":[{"id":20413,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/15785\/revisions\/20413"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/15798"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=15785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=15785"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=15785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}