{"id":13975,"date":"2021-01-28T18:46:06","date_gmt":"2021-01-28T17:46:06","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=13975"},"modified":"2021-10-27T18:59:35","modified_gmt":"2021-10-27T16:59:35","slug":"salvatore-arancio-arts-visuels-ecritures-creatives","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/en\/residencies\/salvatore-arancio-visual-arts-creative-writings\/","title":{"rendered":"Salvatore ARANCIO \/ Visual arts &#038; creative writings"},"content":{"rendered":"<p>The main focus of the stay of Salvatore Arancio\u00a0at Foundation Thalie is to create a new artist publication called <em><strong>Scenes of Wonder in Many Lands<\/strong><\/em>, his own subtle re-edit of a<strong> geology book<\/strong> originally published in London in 1869. This will be a follow up to a book he made in 2011 entitled: &#8220;Wonders of the Volcano&#8221;.<\/p>\n<p><strong>Salvatore Arancio <\/strong>was born in Catania, Italy in 1974. Lives and works between London and Nice.\u00a0The main interest at the centre of Salvatore Arancio\u2019s artistic practice lies in the <strong>potential of images<\/strong>. Particularly in how images and their meaning can be <strong>re-framed or re-viewed<\/strong>. Each facet of his practice contains an intertwining juxtaposition of the roots and representation of images: natural and artificial, mineral and vegetable, scientific and mythological. Departing from their literal meaning, through the use of a <strong>wide range of media<\/strong> such as ceramics, etching, collage, animation and video, Arancio creates new juxtapositions that are both beautifully evocative and deeply disquieting, aiming to create a sort of <strong>Atlas of confusion<\/strong>.<\/p>\n<p><a href=\"http:\/\/www.salvatorearancio.com\" target=\"_blank\" rel=\"noopener noreferrer\">www.salvatorearancio.com<\/a><\/p>\n<p><strong>Jo\u00ebl Riff<\/strong>, guest curator for the 2021 residency will be guiding laureates over the course of working sessions.<\/p>\n<p>&nbsp;<\/p>\n<h2>Open\u00a0<span style=\"text-decoration: line-through;\">Studio<\/span>\u00a0Tiramisu<\/h2>\n<p>On Saturday 30 October from 4 to 6 pm, <strong>Salvatore Arancio<\/strong> with author and musician\u00a0<strong>Joseph Schiano di Lombo<\/strong>, among the <a href=\"https:\/\/www.fondationthalie.org\/en\/category\/residencies\" target=\"_blank\" rel=\"noopener\"><strong>laureates of the 2021 research residency in visual arts and creative writing<\/strong><\/a>, open the Foundation&#8217;s studio to bring their six-week residency to a close. After <em>Home Studio<\/em> by <strong>Hugo Pernet<\/strong>, Open\u00a0<span style=\"text-decoration: line-through;\">Studio<\/span>\u00a0Tiramisu proposes, under the impulse of <strong><a href=\"https:\/\/www.fondationthalie.org\/en\/guest-curator\/joel-riff\" target=\"_blank\" rel=\"noopener\">Jo\u00ebl Riff, guest curator<\/a><\/strong>, to &#8220;Faire Salon&#8221; in a spirit of conviviality and sharing about the reflections brought in this dialogue crossing visual arts and contemporary writing.<br \/>\n<em>Upon free access<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>The main focus of the stay of Salvatore Arancio\u00a0at Foundation Thalie is to create a new artist publication called Scenes of Wonder in Many Lands, his own subtle re-edit of a geology book originally published in London in 1869. This will be a follow up to a book he made in 2011 entitled: &#8220;Wonders of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":13976,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[224],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/13975"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=13975"}],"version-history":[{"count":20,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/13975\/revisions"}],"predecessor-version":[{"id":17345,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/13975\/revisions\/17345"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/13976"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=13975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=13975"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=13975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}