<\/p>\n
Laureates of the “European Chronicles<\/a>” open call \u00a0for a research and production residency 2019 \u2013 2020, launched by Fondation Thalie<\/a> in partnership with the Hippocr\u00e8ne Foundation<\/a> and the Camargo Foundation<\/a>.<\/strong><\/span><\/em><\/p>\n The research of Mathis Collins<\/strong> (FR) and \u00c9milie Renard<\/strong> (FR) takes root in the street theater<\/strong> that was invented at fairs, in Paris at the end of the 17th century, in the heart of rivalries between the Com\u00e9die Fran\u00e7aise alias \u201cla troupe du Roi\u201d Louis XIV who attributes to him the monopoly of the dialogue and the Commedia dell\u2019arte<\/strong> dissident, which renews the dialogical forms by defying the censorship of state. These differences between a centralized, elitist culture and a multitude of vernacular proto-countercultures are for them iconographic, narrative and methodological resources for observing participatory<\/strong> artistic<\/strong> practices<\/strong>, both those framed by artistic education policies and those that come from co-creation practices where a group, united by common circumstances, does collective work.<\/p>\n Their cross-disciplinary<\/strong>, cross-historical<\/strong> and cross-European investigations<\/strong>\u00a0take the form of a tangle of stories, featured in exhibition of Mathis Collins \u00ab\u00a0Mime<\/strong><\/a>\u00a0\u00bb curated by \u00c9milie Renard at the La Cri\u00e9e centre d’art contemporain<\/strong><\/a> in Rennes, on view through December 30. As en extension of their researches are currently organized a workshop<\/strong><\/a> and a performance at the \u00c9cole Europ\u00e9enne Sup\u00e9rieure d\u2019arts<\/strong><\/a> \u00a0in Rennes, gathering guest researchers specializing in clowns as characters or actors working particularly with grimace gestures, giving the voice to\u00a0R\u00e9mi Baert<\/strong>, Paul Collins<\/strong>, Esm\u00e9 Planchon<\/strong>,\u00a0Helena de Laurens<\/strong>\u00a0and Rapha\u00eble Jeune\u00a0<\/strong>as well as students from the Rennes School of Arts, with .<\/p>\n You can follow this event live<\/strong> and without registration on the event page. <\/p>\n<\/div>\n <\/p>","protected":false},"excerpt":{"rendered":" Laureates of the “European Chronicles” open call \u00a0for a research and production residency 2019 \u2013 2020, launched by Fondation Thalie in partnership with the Hippocr\u00e8ne Foundation and the Camargo Foundation. The research of Mathis Collins (FR) and \u00c9milie Renard (FR) takes root in the street theater that was invented at fairs, in Paris at the […]<\/p>\n","protected":false},"author":2,"featured_media":13334,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[138],"tags":[172],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/13228"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=13228"}],"version-history":[{"count":33,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/13228\/revisions"}],"predecessor-version":[{"id":16372,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/13228\/revisions\/16372"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/13334"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=13228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=13228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=13228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nShould you wish to take part in the exchanges<\/strong> with the guests, and ask your questions on the chat that will be open from 6:30 p.m to 7:30 p.m, we kindly invite you to register for free<\/strong>.
\nThis event will be available as a\u00a0podcast<\/a>\u00a0on our website after live broadcast.<\/p>\n<\/div>\n
\n<\/strong>Born in 1986 in Paris, Mathis Collins<\/strong> completed his art studies between Cergy, Metz, Montreal and Brussels before participating in Open School East in London. Franco-Canadian sculptor<\/strong> and performer<\/strong>, he organizes collective workshops and public events around popular<\/strong> and grotesque<\/strong> craft objects<\/strong> or practices that try to rethink the modes of exhibition of popular arts. The subjects and materials explored in his work range from the harvest of the cork oak to the ornamentation of a bottle of alcohol, from the coffee table to the clown\u2019s shoe, from the polychrome bas-reliefs to the Poulbots de Paris, from the caricature of the Second Empire to contemporary experimental artistic education methodologies. His works have been shown at the Palais de Tokyo, the Museum of Modern Art of the City of Paris, the Lafayette Anticipations Foundation<\/strong>, the Friche Belle de Mai\u00a0<\/strong>in Marseille, the Riijksakademie<\/strong> in Amsterdam, 1m3<\/strong> Lausanne and Longtang<\/strong> Z\u00fcrich. He is represented by\u00a0Cr\u00e8vecoeur Gallery<\/strong><\/a>.\u00a0<\/em><\/div>\n