{"id":12876,"date":"2020-11-13T18:07:17","date_gmt":"2020-11-13T17:07:17","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=12876"},"modified":"2021-08-18T16:12:04","modified_gmt":"2021-08-18T14:12:04","slug":"rencontres-litteraires-boris-bergmann-joseph-charroy-florence-cats","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/en\/events\/lecture-et-discussion\/literary-encounter-boris-bergmann-joseph-charroy-florence-cats\/","title":{"rendered":"Roman Strolls: Boris BERGMANN, Florence CATS  &#038; Joseph CHARROY"},"content":{"rendered":"<p>The Foundation invites the author <strong>Boris Bergmann<\/strong>, former resident at the Villa Medici in 2018, in dialogue with <strong>Florence Cats <\/strong>and\u00a0<strong>Joseph Charroy<\/strong>, visual artist and photographer, 2018 residents at the Academia Belgica in Rome. They will present the results of this one-year residency: <em>Les Corps Insurg\u00e9s<\/em> (Calmann-L\u00e9vy, 2020), and <em>Lavori Corso<\/em> (\u00e9ditions Primitive, 2020).\u00a0This encounter will be the opportunity to exchange on their common experience of Roman life and to share with us the reading of texts from these recent publications.<\/p>\n<p><em>\u00ab I met Joseph Charroy and Florence Cats in Rome. <\/em><br \/>\n<em>I was then in residence at the Academy of France while they were at the Academy of Belgium. We exchanged, discussed, danced, toasted, experienced Roman life, its beauty and its flaws, its skies and its nights.<\/em><br \/>\n<em>Two years after, we are each of us publishing a book: For Joseph and Florence a long visual drift in Rome (Lavori in Corso, primitve books, October 2020), as for me a novel (Les Corps insurg\u00e9s, Calmann-L\u00e9vy, August 2020).<\/em><br \/>\n<em>I invited to Florence and Joseph to discuss on this Roman experience. What germinated in us. What grew under our eyelids.<\/em> \u00bb<br \/>\n\u2014 <strong>Boris Bergmann\u00a0<\/strong><\/p>\n<p>You can<strong> follow this event live<\/strong> and without registration on the event page.<br \/>\nShould you wish to <strong>take part in the exchanges<\/strong> with the guests, and ask your questions on the chat that will be open from 6:30 p.m to 7:30 p.m, we kindly invite you to <strong>register for free<\/strong> in two minutes.<br \/>\nThis event will then be available as a\u00a0<a href=\"https:\/\/www.fondationthalie.org\/en\/podcasts?v=d3dcf429c679\" target=\"_blank\" rel=\"noopener noreferrer\">podcast<\/a>\u00a0on our website after it has been broadcast.<\/p>\n<p>Duration: 1h<br \/>\nLanguage: French<\/p>\n<p><span style=\"text-decoration: underline;\"><em><strong>Literature references quoted by the guests<\/strong><\/em><\/span>:<\/p>\n<p><em>Notes sur les copies<\/em> &#8211; Alberto Giacometi<br \/>\n<em>Tempo di Roma<\/em> &#8211; Alexis Cuervers<br \/>\n<em>Th\u00e9orie de la restauration<\/em> &#8211; Cesare Brandi (Allia)<br \/>\n<em>Graffitis, inscrire son nom \u00e0 Rome, XVIe-XIXe si\u00e8cle<\/em> &#8211; Charlotte Guichard (Seuil)<br \/>\n<em>Nouvelles \u00eeles, guide vagabond de Rome<\/em> &#8211; Marco Lodoli (La fosse aux ours)<br \/>\n<em>Autour des sept collines<\/em> &#8211; Julien Gracq (Jos\u00e9 Corti)<br \/>\n<em>L&#8217;Ultima intervista di Pasolini<\/em> &#8211; Colombo &amp; Ferreti (Allia)<\/p>\n<p>_<\/p>\n<p><strong>Boris BERGMANN<\/strong>, writer, lives and works in Paris.<br \/>\nAt the age of 15, he published his first book, <em>Viens l\u00e0 que je te tue ma belle<\/em> (\u00c9ditions Scali, 2007), rewarded by the &#8220;<strong>Prix de Flore du lyc\u00e9en<\/strong>&#8220;, adapted for Arte by Director Jean St\u00e9phane Sauvaire. <strong>Boris Bergmann<\/strong> continues to write: a novel about lies (<em>1000 Mensonges<\/em>, \u00c9ditions Deno\u00ebl, 2010), another about commitment\u00a0<span lang=\"en\">(<em>D\u00e9serteur<\/em>, \u00c9ditions Calmann-L\u00e9vy, 2016), a fourth dealing with desire (<em>Nage Libre<\/em>, \u00c9ditions Calmann-L\u00e9vy, 2018), and more recently,\u00a0<\/span><em>Les Corps insurg\u00e9s<\/em>, resulting from one-year residency at Villa Medici in 2018. In 2019, the Foundation published a <strong>poetic map<\/strong> by Boris Bergmann in collaboration with the Belgian architect <strong>Bas Smets<\/strong>, redrawing his poetic and artistic strolls in Brussels following the path of artist<strong> Sophie Podolski<\/strong>.<\/p>\n<p><strong>Florence CATS<\/strong> <strong>&amp;<\/strong> <strong>Joseph CHARROY<\/strong>, visual artist and photographer, both live and work in Brussels.<br \/>\n2018 residents at the Academia Belgica in Rome, Florence Cats and Joseph Charroy publish this year\u00a0<strong><em>Lavori in corso<\/em><\/strong> (\u00e9ditions Primitive, 2020) &#8211; <em>Works in progress<\/em>:\u00a0a hybrid book that brings together urban relics from their stay in the Italian capital where the city became their studio. Snapshots, accidents, details and fragments, the photographs echo their sketches, made on street papers or directly picked up from the ground.<\/p>","protected":false},"excerpt":{"rendered":"<p>The Foundation invites the author Boris Bergmann, former resident at the Villa Medici in 2018, in dialogue with Florence Cats and\u00a0Joseph Charroy, visual artist and photographer, 2018 residents at the Academia Belgica in Rome. They will present the results of this one-year residency: Les Corps Insurg\u00e9s (Calmann-L\u00e9vy, 2020), and Lavori Corso (\u00e9ditions Primitive, 2020).\u00a0This encounter [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":13007,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[108],"tags":[139],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/12876"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=12876"}],"version-history":[{"count":92,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/12876\/revisions"}],"predecessor-version":[{"id":16371,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/12876\/revisions\/16371"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/13007"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=12876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=12876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=12876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}