{"id":11178,"date":"2020-05-12T14:37:32","date_gmt":"2020-05-12T12:37:32","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=11178"},"modified":"2021-08-18T15:57:04","modified_gmt":"2021-08-18T13:57:04","slug":"equinoxes-plateforme-poetique-9","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/en\/events\/lecture-performee\/equinoxs-poetic-platform-9\/","title":{"rendered":"\u00c9quinoxes &#8211; poetic platform #9"},"content":{"rendered":"<p><span class=\"tlid-translation translation\" lang=\"en\"><span title=\"\">Poetry as a lockdown art.<\/span> <span class=\"\" title=\"\">This is the perfect time to draw from ancient or contemporary texts the gems of our great writers and visual artists.<\/span> <span class=\"\" title=\"\">Every Thursday evening, the foundation invites you to discover or rediscover the poems of these explorers of thought, with a selection of readings aloud, in music and in images.<\/span><\/span><\/p>\n<p><span class=\"tlid-translation translation\" lang=\"en\"><span class=\"\" title=\"\">Joins us on our website at 8:30 p.m. to listen to our readers (visual artists, poets, authors, choreographers) and escape from your everyday life thanks to the musicality of the texts.<\/span><\/span><\/p>\n<p>Poetry is our wind rose, it offers us strength, verticality and resistance to overcome together and each one with us this lockdown to avoid the Coronavirus spreading.<\/p>\n<p>Long live Poetry!<\/p>\n<p><strong>Nathalie Guiot<\/strong><\/p>\n<p>Curator: <strong>Pascale Barret<\/strong><\/p>\n<p>Readers:\u00a0<strong>Annie Abrahams<\/strong>, <strong>Pascale Barret, Haleh Chinikar, Lise Coirier, Marie de Brugerolle, Hortense Gauthier, Christine Guinard, Nathalie Guiot, M\u00e9lanie Huchet, Myriam Pruvot, Barbara Polla et Frank Smith, J\u00e9r\u00f4me Porsperger, Anne Versailles, Laurence Vielle, Olivier Vrankenne, <span data-offset-key=\"2b0hb-0-0\">Joanna Preiss<\/span>. <\/strong><\/p>\n<p>Programme<br \/>\n<strong>Marie de Brugerolle<\/strong> : <em>Une histoire de la douceur en Am\u00e9rique<\/em>, Tan Lin<br \/>\n<strong>Joana Preiss<\/strong> : <em>Ebahie<\/em><br \/>\n<strong>Annie Abrahams<\/strong> : <em>Enfourch\u00e9<\/em><br \/>\n<strong>Christine Guinard<\/strong> : <span class=\"_5yl5\"><em>Des Spectres hantent l&#8217;Europe <\/em>de Niki Giannari, pr\u00e9ambule de <em>Passer quoi qu&#8217;il en co\u00fbte<\/em> de Georges Didi-Huberman et Niki Giannari<\/span><br \/>\n<strong>Myriam Pruvot<\/strong> : <em>Berceuse et R\u00e9volution<\/em>, Giulia Palladini &amp; Nicholas Ridout et <em>Las ninas infantiles<\/em> (Les Berceuses), Frederico Garcia Lorca<br \/>\n<strong>Haleh Chinikar<\/strong> : <em>Entre nos mains, le vide<\/em><br \/>\n<strong>Lise Coirier<\/strong> : <em>Centenaires et plus sont les sages<\/em>, <em>La R\u00eaveuse<\/em><br \/>\n<strong>Pascale Barret<\/strong> : <em>Une grande couleuvre<\/em><br \/>\n<strong>Olivier Vrankenne<\/strong> : <em>Vingt po\u00e8mes d&#8217;amour et une chanson d\u00e9sesp\u00e9r\u00e9e<\/em>, Pablo Neruda, extraits<br \/>\n<strong>Antoine Loyer<\/strong> <strong>&amp; M\u00e9galodon malade<\/strong> : Le petit Antoine and Baille birchette<br \/>\n<strong>M\u00e9lanie Huchet<\/strong> : <em>Les s\u0153urs qui n&#8217;en n&#8217;\u00e9taient pas<\/em>, extraits choisis<br \/>\n<strong>Anne Versailles<\/strong> : <em>Femmes b\u00e9tonn\u00e9es<\/em><br \/>\n<strong>Nathalie Guiot<\/strong> : <em>Ambidextre<\/em>, Pierre Alechinsky<br \/>\n<strong>Hortense Gauthier<\/strong> : <em>Crier dans le vide<\/em><br \/>\n<strong>Laurence Vielle<\/strong> : texte personnel<br \/>\n<strong>Frank Smith et Barbara Polla<\/strong> : <em>Le Film des Questions<\/em>, extraits<\/p>","protected":false},"excerpt":{"rendered":"<p>Poetry as a lockdown art. This is the perfect time to draw from ancient or contemporary texts the gems of our great writers and visual artists. Every Thursday evening, the foundation invites you to discover or rediscover the poems of these explorers of thought, with a selection of readings aloud, in music and in images. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":11181,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[187],"tags":[202,214],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/11178"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=11178"}],"version-history":[{"count":39,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/11178\/revisions"}],"predecessor-version":[{"id":16369,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/11178\/revisions\/16369"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/11181"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=11178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=11178"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=11178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}