{"id":10952,"date":"2020-04-14T15:26:08","date_gmt":"2020-04-14T13:26:08","guid":{"rendered":"https:\/\/www.fondationthalie.org\/fr\/?p=10952"},"modified":"2021-08-18T15:53:37","modified_gmt":"2021-08-18T13:53:37","slug":"equinoxes-plateforme-poetique-4","status":"publish","type":"post","link":"https:\/\/archive.fondationthalie.org\/en\/events\/lecture-performee\/equinoxs-poetic-platform\/","title":{"rendered":"\u00c9quinoxes &#8211; poetic platform #6"},"content":{"rendered":"<p><span class=\"tlid-translation translation\" lang=\"en\"><span title=\"\">Poetry as a lockdown art.<\/span> <span class=\"\" title=\"\">This is the perfect time to draw from ancient or contemporary texts the gems of our great writers and visual artists.<\/span> <span class=\"\" title=\"\">Every Thursday evening, the foundation invites you to discover or rediscover the poems of these explorers of thought, with a selection of readings aloud, in music and in images.<\/span><\/span><\/p>\n<p><span class=\"tlid-translation translation\" lang=\"en\"><span class=\"\" title=\"\">Joins us on our website at 8:30 p.m. to listen to our readers (visual artists, poets, authors, choreographers) and escape from your everyday life thanks to the musicality of the texts.<\/span><\/span><\/p>\n<p>Poetry is our wind rose, it offers us strength, verticality and resistance to overcome together and each one with us this lockdown to avoid the Coronavirus spreading.<\/p>\n<p>Long live Poetry!<\/p>\n<p><strong>Nathalie Guiot<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Curator: <strong>Pascale Barret<\/strong><\/p>\n<p>Readers: <strong><span class=\"st\">Jo\u00ebl Andrianomearisoa<\/span><\/strong>, <strong>Pascale Barret<\/strong>, <strong>Haleh Chinikar<\/strong>, <strong>Marie de Brugerolle<\/strong>, <strong><span class=\"_5yl5\">Fabien Defendini<\/span><\/strong>, <strong>Sandra de Vivies<\/strong>, <strong>Christine Guinard<\/strong>, <strong>Nathalie Guiot<\/strong>, <strong>M\u00e9lanie Huchet<\/strong>, <strong>Maria Kakogiann (Maude Bouhenic &amp; L\u00e9a Stijepovic)<\/strong>, <strong>Irini Karayanopoulou et Sandrine Cheyrol<\/strong>, <strong><span class=\"_5yl5\">St\u00e9phanie Laforce<\/span><\/strong>, <strong>Le Peuple qui manque (Kantuta Quiros et Aliocha Imhoff)<\/strong>, <strong>Marielle Mac\u00e9<\/strong>, <strong>Barbara Polla et Philippe Dubouchet<\/strong>,<strong> J\u00e9r\u00e9my Robert, Jean-Philippe Rossignol, <\/strong><strong>Frank Smith<\/strong>, <strong>Agn\u00e8s Thurnauer<\/strong> etc.<\/p>\n<p><strong>Programme<\/strong><br \/>\n<span data-offset-key=\"sk60-0-0\"><strong>Pascale Barret<\/strong> : <em>Th\u00e9orie de la m\u00e9tamorphose<\/em>, Emanuele Coccia<br \/>\n<\/span><span data-offset-key=\"9hi7i-0-0\"><strong>Christine Guinard<\/strong> : <em>Si je pars comme un feu<\/em>, <em>Arbre \u00e0 paroles<\/em> et <em>Vous \u00e9tiez un monde<\/em> (vid\u00e9o)<br \/>\n<\/span><span data-offset-key=\"43m9s-0-0\"><strong>Sandra de Vivies<\/strong> : <em>Chamane<\/em><br \/>\n<\/span><span data-offset-key=\"fspno-0-0\"><strong>Jean-Philippe Rossigno<\/strong>l : <em>Lettre de Gertrud Kolmar<\/em> (1943)<br \/>\n<\/span><span data-offset-key=\"5af32-0-0\"><strong>Maude Bouhenic &amp; L\u00e9a Stijepovic<\/strong> : <em>Breathe, <\/em>Maria Kakogianni<br \/>\n<\/span><span data-offset-key=\"98l3u-0-0\"><strong>Nathalie Guiot<\/strong> : <em>Lettres \u00e0 un jeune po\u00e8te, <\/em>Rainer Maria Rilke<br \/>\n<\/span><span data-offset-key=\"j0fj-0-0\"><strong>Marielle Mac\u00e9<\/strong> : <em>Dire encore<\/em><br \/>\n<\/span><span data-offset-key=\"98he5-0-0\"><strong>Jo\u00ebl Andrianomearisoa<\/strong> : <em>Presque-songes<\/em>, Jean-Joseph Rabearivelo<br \/>\n<\/span><span data-offset-key=\"15abg-0-0\"><strong>Marie de Brugerolle<\/strong> :<em> Hospitalit\u00e9<\/em><br \/>\n<\/span><span data-offset-key=\"cc62n-0-0\"><strong>M\u00e9lanie Huchet<\/strong> : <em>La rupture<\/em><br \/>\n<\/span><span data-offset-key=\"djo6o-0-0\"><strong>Christophe Fiat<\/strong> : Cl\u00e9op\u00e2tre in love (pi\u00e8ce de th\u00e9\u00e2tre cr\u00e9\u00e9e en 2019 au CDN de Montreuil)<br \/>\n<\/span><span data-offset-key=\"ph31-0-0\"><strong>Frank Smith<\/strong> : <em>Paradis perdus<\/em>, Daniel Bevilacqua<br \/>\n<\/span><span data-offset-key=\"avr4l-0-0\"><strong>Haleh Chinikar<\/strong> : <em>A l&#8217;envers<\/em><br \/>\n<\/span><span data-offset-key=\"9e8og-0-0\"><strong>Le peuple qui manque<\/strong> : Quatorzi\u00e8me po\u00e9sie verticale, Roberto Juarroz et <em>A cause de la couleur<\/em> <em>du ciel, <\/em>Anna Greki<br \/>\n<\/span><span data-offset-key=\"fp17k-0-0\"><strong>Twin automat (Irini Karayanopoulou et Sandrine Cheyrol)<\/strong> : Po\u00e8me, John Berger<br \/>\n<\/span><span data-offset-key=\"51d33-0-0\"><strong>J\u00e9r\u00e9my Robert<\/strong> : <em>Cosmopolite, un recueil<\/em>, Donna Stonecipher<br \/>\n<\/span><span data-offset-key=\"dd3jc-0-0\"><strong>Fabien Defendini<\/strong> : <em>Ce que peut la po\u00e9sie<\/em><br \/>\n<\/span><span data-offset-key=\"6tih5-0-0\"><strong>Agn\u00e8s Thurnauer<\/strong> : <em>Enseigner et apprendre &#8211; arts vivants<\/em>, Robert Filliou<br \/>\n<\/span><span data-offset-key=\"gnal-0-0\"><strong>Barbara Polla et Philippe Dubouchet<\/strong> : <em>Moi la Grue<\/em><\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Poetry as a lockdown art. This is the perfect time to draw from ancient or contemporary texts the gems of our great writers and visual artists. Every Thursday evening, the foundation invites you to discover or rediscover the poems of these explorers of thought, with a selection of readings aloud, in music and in images. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":11130,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[187],"tags":[202,214],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/10952"}],"collection":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/comments?post=10952"}],"version-history":[{"count":51,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/10952\/revisions"}],"predecessor-version":[{"id":16366,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/posts\/10952\/revisions\/16366"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media\/11130"}],"wp:attachment":[{"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/media?parent=10952"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/categories?post=10952"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.fondationthalie.org\/en\/wp-json\/wp\/v2\/tags?post=10952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}